Quote:
I am happy that you agreed that the initiation of the thread was based on a silly rumour. But how about the Sony rep? He said something to your dealer how then told you. Could the message be distorted on the way, especially if the final recipient wanted to hear something really bad? And what could the rep really know. Are Sony secret corporate plans of the Japanese top management forwarded to a salesman in USA? |
As I stated in my post, the rep said he was not at all privy to any Sony corporate plans. He is surmising the inevitable demise of the format based on its dismal sales performance. Now the dealer in question is actually a fan of SACD, but he is rather dismayed that the units only sit on the shelf. After all, he was unable to sell me an SACD player, even (or especially) after I spent a week and a half with a loaner (XA777ES). I wrote in detail on a previous thread that I find redbook performance from my Van Alstine DAC more satisfying than SACD performance from the Sony unit. So, no, there is no heavy emotional or financial investment in hi-rez from my end of things.
Look, I don't think it requires any insider information for anyone to see that these hi-rez formats are going nowhere fast. A rack or two at the local HMV Shop and countless posts from neurotic audiophiles at Audio Asylum (apt name, as that place is crawling with hysterics and just downright nasty people who obviously have "issues") add up to no more (and probably less) than the market share attained by "audiophile" specialty labels such as Mobile Fidelity or DCC at their peak. This is simply not enough to sustain an entirely new format which requires a substantial investment from the consumer in both hardware and software. As I said, the average person knows what a DVD is; three years or so down the line and they still couldn't tell you what an SACD or DVD-A disc really is. (Then again, they probably couldn't tell you what an MD is either.) A combination of bad marketing coupled with consumer indifference, I'd say. The first could be rectified, surely, but you'll never surmount general apathy - and you can't sell something to someone if they feel they have no need for it. It's well kinown to all of us that most people have systems that aren't even capable of reproducing decent fidelity from redbook CDs - and this is just fine for them. I am sorry, but does anyone believe that an SACD-capable boombox from Philips is going to reveal sonic nirvana to the uneducated, non-audiophile masses? I really don't think so.
Again, keep in mind that Sony et al. did not intend to launch a niche market format for a few audiophiles. SACD (and DVD-A, for that matter) are meant to replace CDs entirely. If after three years the general public doesn't even know or care what it is, can you truly say with a straight face that the format is coming along nicely? Even the few audiophiles interested in these hi-rez formats cannot even agree on them - witness the truly insane level of infighting amongst the "SACD fans" and the "DVD-A devotees" at places like Audio Asylum.
But let's also keep in mind the real reasons behind the hi-rez formats:
1) Sony and Philips wishing to prolong patent royalties (SACD)
2) RIAA et al. wishing to stop so-called piracy
3) Sony, Philips, et al. wishing to stop so-called piracy
4) DVD consortium wishing to grab patent royalties and stop so-called piracy
5) Sony and Philips wishing to sell expensive DSD recording and mastering equipment to studios and pressing plants
6) Record industry wishing yet again to sell you the same catalog for the umpteenth time, this time around on a "new" format (which, they wish, will stop so-called piracy).
I happen to agree with Alex. The public is not interested in a non-flexible and deliberately crippled format. The time for dedicated hardware and proprietary formats are gone, and this is precisely why SACD and DVD-A are met with utter indifference. People have already got a taste of doing what they damn well please with their music files - making mix CDs and MDs, using their computers as jukeboxes, loading the bits into their ipods, etc. etc. How will those people react to a format they'll be told will not play on their computer, will never join their iTunes playlist, will never be compressed into their ipod or burned onto CD-R for the car?
I've always maintained that high resolution audio is needed - and I do want it. But not like this. It needs to be done correctly and openly - and both SACD and DVD-A fail miserably in this regard.