Steve Eddy
Member of the Trade: The Audio Guild
Aka: TempAccount555
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- Sep 28, 2003
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Yes, that's typical of class A/B output stages. The discontinuity at crossover (i.e. when each side of the output turns off and on) is at the same level regardless of output so as your output levels go down, the percentage of distortion goes up.
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The dominance of even or odd ordered harmonics has to do mostly with topology, not technology. Single ended solid state and tube amps will generally be even order dominant while push-pull solid state and tube amps will generally be odd order dominant. And with transformer coupled tube amps, you can actually end up with odd order dominant even with a single ended amp. Also, it's not so much even order versus odd order so much as high order versus low order. Higher order harmonics tend to be more audible as they're not as well masked by the fundamental.
se
Actually, if one looks at the data sheet for the OPA541, and the THD graph, it's performance is WORSE at 100mw output than it is at 5W output.
Yes, that's typical of class A/B output stages. The discontinuity at crossover (i.e. when each side of the output turns off and on) is at the same level regardless of output so as your output levels go down, the percentage of distortion goes up.
Quote:
Granted, the general situation is that such THD in a tube amp is typically dominated by even order harmonics, which are considered fairly benign musically.
The dominance of even or odd ordered harmonics has to do mostly with topology, not technology. Single ended solid state and tube amps will generally be even order dominant while push-pull solid state and tube amps will generally be odd order dominant. And with transformer coupled tube amps, you can actually end up with odd order dominant even with a single ended amp. Also, it's not so much even order versus odd order so much as high order versus low order. Higher order harmonics tend to be more audible as they're not as well masked by the fundamental.
se