A little tough for me to say as I'm not really an audiophile type listener and a bit forgetful so I contentedly adapt to different headphones fairly quickly. I do happen to own the 32 ohm variant of the 770s and just for kicks made some comparisons with randomly selected tracks (well, mostly determined by foobar search for 'ecm' in my rather erratically tagged library). Yeah, it's ludicrous comparing over ears to an in-ear, but maybe gives some sense and also was a fun exercise for my nightly listening as I hardly ever do any compartive listening
Boulez Conducts- Mahler Symphony #8 - Though the soundstage isnt' great, this probably isn't a great recording for headphones to begin with. Considering that, the IM02 handles it ok, a little better than the 770s, which i think get a lot of their sense of relative spaciousness from the mids sounding a bit quiet, but weirdly has almost the opposite effect from this full orchestra and choir and seems to be missing a lot of substance.
Thomasz Stanko Quartet - 'Suspended Variation I' - 02 handles this type of bass quite well, and each of the quartet instruments (sax,bass,piano,drums) feels full bodied to me, again the bass of 770s is better, but otherwise they are par for a fairly intimate recording.
John Hassell - 'The Moon Came in...' - gosh, forgot how pretty this track is, sounds great on 770s but that kinda sub-bass resonance is lacking on IM02 in direct comparison, though it handles rest of the track nicely kinda misses that sense of space too.
Arvo Part - 'Litany', like the Mahler, a bit narrow/crowded on the 02, otherwise clear, a little to forward, though I think this one sounds better than the mahler on the 770s.
Eberhard Weber - 'Seven Movements' - IM02 actually handles this really well, on par w/ 770 - it's all upper register flanged bass combined w/ sax, and the sense of space is enchanced as its from a live recording and the 02 is pretty adept in those ranges that express reverb i guess.
Annette Peacock - Tho An intimate kind of track, with female vocals which the 02 handles really well, piano and strings very well presented, I'd give slight preference to 02.
Lester Bowie - 'No ****' oddball brass-heavy song in a kinda oddball mix- has some shrill trumpet which penetrates a bit harsh on the 770s but again the 02 rolls off in a forgiving way (though still might make some ears bleed), but also has a rolling tuba beat in the background that still has presence on the 02.
Jack Dejonette - 'India' I think this sounds really good with the extra soundstage of the 770s (which in my limited experience is pretty decent for closed-back), maybe a little too forward on the 02 with the sax solos being too upfront, but the bass, drums and baritone clarinet sound really great.
Luciano Berio - 'Naturale', very sparse viola track with some percussion and folk vocals, sounds just great on the 02 to me, which really captures all the reverby details, surprisingly preferred 02 to 770.
Keith Jarrett - Shostakovich- Prelude and Fugue No. 13 in F sharp major, solo piano, kinda similar reverby room to the berio track but with warmer acoustics which gives 770s stage some advantage, but sounds very good on the 02.
Vijay Iyer & Rudresh Mahanthappa - 'Rataplan' - this has a lot of piano low-end and harshly bright saxophone mix- really penetrating on the 770s but the IM02 rolls off a bit right below that. On the 770s the pianos low end feels a bit like a black hole the sax is stabbing out from, on the 02 it loses that rumble to its detriment... i'd say neither phone handles it particularly well, maybe the recording quality isn't so great either.
Enrique Batiz conducts Ginastera- Harp Concerto - I think this one full orchestra recording sounds a lot better on the 02 compared to some of the others I've tried, not exactly sure why- maybe just due to favorable dynamics and headphone friendly stereo mixing - or my brain has completely adjusted to the 02s for tonight.
*edit* Also did some sampling of more piano stuff: Ravel from Angela Hewitt, is a bit odd- with the Sonatine 'anime' section i found the placement/imaging very nice but not particularly spacious. Feels a bit too forward, but then the v-ish response on my JVC 90s has details that feel a bit more 'sparkly' and spacious though I genrally find it a lot more direct/narrow in presentation than the IM02. Marc Andre Hamelin playing Godowsky's Passacaglia '44, which is a fairly dark recording that I would think benifit from IM02 presentation- also think sounds better with the fxt90 (I have listened to it a lot on the HD25s which are very direct/closed presentation). Could just be a matter of my particular taste... not that the 02 sounds bad with them (and it's bass sounds fairly similar to the 90's for me) but maybe I am reacting against the stronger mids? On the other hand, I listened to some jazz tracks on Ran Blake's 'Driftwoods' and 'All that is Tied, and Paul Bley's 'Open to Love' and preferred the IM02- i think these records have much more obvious room sound than the classical recordings, which 02 represents very well. I think earfonia's original review stated that the 02 tends to emphasize mids a bit and the 03 the highs a bit, so maybe the 03 could be good (for my taste, at least) if it has slightly de-emphasized mids compared to the 02 (unfortunately no graph for the 03 on goldenears).
Like I mentioned before, I don't find them to be particularly 'cold', but they do present recordings 'as is' (aside from pleasant details) without much illusion of spaciousness- definately in-head, but fine separation/imaging within that and better than my other in-ears (though I've only heard the "budget" end of the spectrum (JVC fXT90s, Yamaha EPH100, Denon 751, Etymotic 6)). For "naturally textured, full bodied" acoustic piano/sax/vocals- I feel like it is very recording dependant, it won't add anything that isn't there already, but the details convey texture well and I think it will present those instruments very well depending on the mix. I have come around a bit to your fears about soundstage after trying various orchestral pieces (and also losing out on certain types of bass response, in spite of otherwise solid bass representation), but I think that's pretty common with IEM, hardly unique to the im02- even my 770s weren't much of an improvment, in spite of what in my limited experience is a decent soundstage for closed phones. Really makes me wish I could try the 03 or those Final Audios out- maybe some of the open in-ear designs do well with that too?
(fit issues- it's just a bit odd for my ears, a few others on the thread have mentioned as well- for a good fit they seem to either sit deep, comfortably inside the outer ear or shallow, with the nozzle resting on the outer ear and the driver housing completely outside, supported by the cable. - mine it rests right on the edge with my normal medium tips, and the nozzle is too wide for me to use small tips & deeper fit for any length of time, so I have to use a spacer and the large tips to make a comfortable shallow fit, does affect the sound a bit, albiet subtly. There are various solutins people have come up with if you look through the thread pictures. )
As to the H3, I've only done a little reading but its supposed to have a fairly warm sound, with the idea behind the hybrid thing is that you can combine the mid&high of balanced armature drivers, with the low-end friendly properties of a dynamic/coil driver... that, and it just looks kinda cool