Here's my little review of the RE-Zero. I've had them 3.5 days now, and have kept them on a burn-in playlist most of that time. They had about 75 hrs on them the last time I checked in. So far I've listened to them on my Millett Max, as well as an iPhone.
Right out of the box, I enjoyed these much more than the HJE900's which I had previously and sold promptly. The RE-Zero has very good detail, much better than I was expecting for the price. The bass is also tight and just a tad beefier than neutral, to my ears. This is the level bass belongs at, in my opinion, so I'm quite pleased there. I find the midrange and lower highs to be fairly rich and complex, and this area seems to have gotten smoother with burn-in. My only complaint so far is the upper treble, not of its quality, but relative lack of quantity. Even with music that emphasizes this range, such as orchestral music with triangle and glockenspiel, or rock with twelve-string electric, I'm not hearing much sparkle. I'm just not hearing the very high twinkle that is characteristic of those sounds. I chose the RE-Zero over the RE0 because my impression was that while the RE0 had very extended, detailed highs, it had leaner bass and recessed midrange, which did not sound appealing to me. The RE-Zero seems to be the mirror image of this to me, which is better than the alternative but still not perfect. Coincidentally, this sound signature seems to work very nicely for solo piano music. Whether it's vintage Rubinstein or one of Uchida's modern digital recordings, the piano sounds really natural.
With the Millett, the RE-Zero seems very balanced, but with a bit of upper roll-off as described above. On my iPhone (with no EQ) the midrange is positively "honky," overemphasized and unappealing. Surprisingly, the "Rock" EQ setting, which I believe applies a U-shaped EQ curve, makes them sound excellent. Because the midrange is emphasized this results in only a tiny boost of bass and highs, and it sounds really nice. I usually shy away from EQ on principal, but in this case I'm very happy with it and I suggest anyone try this setting on the iPod/iPhone.
Some people seem to get bent out of shape over the whole balanced plug and adapter issue with these. Frankly, I don't give a crap.
I've tried the stock tips, as well as those in the Meelec M11 10-pack, the M9 "balanced" biflange, and the genuine Sony hybrids. My favorites, in order, are:
1. Medium Sony hybrid, ever so slightly above the large size, but basically a tie between those two
2. Stock large biflange
3. M9 "balanced" biflange
4. M11 biflange
5. M11 large single flange
At this point I'm pretty happy with these, and will definitely keep them. I do hope the upper highs open up a little bit. I'm not a treble-lover, but they seem to be almost completely lacking that upper "sparkle" range at this point, no matter what kind of tip I use. People seem to report some changes at 100-150 hrs, which I'm not quite at yet, so we'll see.