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I had the opportunity to spend the day testing the Headstage USB DAC. It took 7 days total by mail to arrive from Germany. I paid $39 + S&H, right before the price drop to $29 this week!
I'd guess it might be able to bill itself as "smallest on the market", at less than 2" x 3/4" x 1/2" and line powered. It is so small it fits inside of a heat-shrink tube in the middle of a USB to 3.5mm cable. It comes in two lengths, mine is the 85cm version. The little black pod in the middle of the USB cable is the DAC!
The statement from the Headstage.com web-page says,
"This unique cable transfers digital audio files on your computer into quality analog audio. It is the ideal accessory to convert your headphone amp in[to] an external sound card! How does it work? Just connect the USB port of your computer with the input jack of your headphone amp and the DAC cable automatically does all the digital-to-analog conversation! The result is a much better sound then most standard audio cards would provide! The cable uses TI's 16-bit killer DAC chip PCM2704 that accepts 32, 44.1 and 48 kHz sampling rates."
This is reported to be a good DAC chip, from searching the forums, and several kit and production DAC's discussed here use it. There are better chips out there, but that kinda defeats the purpose of an inexpensive upgrade to the computers OEM sound output. If you're looking for the end-all DAC for your computer, buy a new sound card or PC card sound card, or a stand alone DAC.
PROCEDURE: THIS FIRST PART IS A TEST OF THE DACs, NOT THE AMPS - to see how they allow the SQ of a good amp to improve even more when listening to the computer. Since the opamps in the iBasso D1 had been rolled previously (OPA2111/AD8397 buffers/AD8656 in the DAC), including the one in the DAC, ALL STOCK OPAMPS WERE RETURNED TO THE D1 FOR THIS TEST OF THE IBASSO's DAC VS HEADSIX DAC.
THE MEIER HEADSIX WAS THE PRIMARY TEST AMP, since it's analog input is SUPERIOR to the STOCK D1 analog input and my Tomahawk was not available at this time. I wanted an amp other than Headstage, to rule out an unfair synergy between an external Headstage DAC and Headstage amp. But, the Headstage amp's built-in DAC was also a control to compare against the standalone USB DAC, in case the standalone should sound worse than the amp's built-in DAC. Since the D1 has only a fair analog input when stock, I didn't use it with the external USB DAC.
SOURCE: I used my Macbook 2ghz Core 2 Duo with OSX 10.4.9 and a homebuilt PC with Windows XP SP2 and built-in sound in the motherboard, labeled SoundMAX in the sound device manager.
DRIVERS: The Mac installs it automatically (instantly) as USB audio DAC. Windows plug and play detects USB DAC, USB audio and HID Human Interface Device and installed them, taking a couple of minutes on a 2ghz celeron. I did not have to select drivers.
I've previously publicly complained about lousy sound via Macbook headphone out - but I solved the problem. I had installed an iTunes extension, SRS iWOW, on the Macbook a few weeks ago, and forgot it was on. It was automatically selecting profiles based on Genre, making the macbook speakers sound better, but via headphones the sound was SHeeT. I learned how to disable this software, Ahhhh much better.
JUKEBOX SOFTWARE: iTunes Mac 7.4.2, iTunes PC 7.4.1.2
MUSIC CODECS: Apple Loss-less CODEC
MUSIC SELECTION: Arne Domnerus "Jazz at the Pawnshop", Al Di Meola "Kiss My Ax", Dave Mathews "Live at Red Rocks", Pat Metheney "Selected Recordings ECM"
AMPS: iBasso D1 ($252 shipped, 400+ hours burn-in, stock opamps), Meier Headsix on default gain setting ($165 shipped, 24 hours), Headstage Lyrix USB Pro Total (24 hours, stock opamps). The Lyrix is maxed out on options and sells for $219 with every option available. I won mine on eBay and paid about $170 with socketed opamps, finegold caps, 4 channel operation, AC power supply, several cables and shipping.
DACs: iBasso USB DAC (12 hours via USB, 100+ hours optical), Headstage USB DAC ($39, 18 hours), the Lyrix was tested with the DAC cable vs built-in DAC to see if difference could be detected - it was not tested to see if it has a DAC pass-through output (don't believe it does).
HEADPHONES: Sennheiser HD600, with cryoparts.com treated Moon Audio Black Dragon 4ft cable with 3.5mm plug.
RESULTS:
Step One - Mac Analog out: I first started listening to the Macbook audio out to the Meier Headsix because I was already enjoying the new amp with my iPod, and I was getting used to the sound signature. I used a $20 custom made 3.5mm - 3.5mm interconnect cable. Sound quality was pleasant.
The Meier Headsix has a nice warm sound, with forward mids and wide sound stage. It brings the mids like saxophone up closer, as if I was up on stage right next to it, while the string bass and drums are a few feet away. So, the HEADSIX sound stage is still very open. Without changing the gain settings it will play the HD600 at a comfortable and adequate listening volume with the knob at 100% and Mac volume at 100%. I did not take it apart to change to high gain. It's volume output was similar to the stock D1 amp's output, which has no gain switch.
Step Two - Mac with Headstage DAC: Plugging the Headstage DAC into USB, the Mac sound control panel shows a new source, "USB audio DAC". Selecting the source in the Macbook control panel allows instant switching between headphone out and DAC.
With the Mac, the Headstage DAC improved the sound, and the Mac's improvement was repeatable, and welcome but not dramatic. The difference in sound between analog audio out and USB audio DAC was subtle, and took time (3 hours) to be convinced that the differences were repeatable, and this was tested with all my music selections. The air around the instruments was more open between notes, and notes did not take prolonged time to decay. There was a subtle expansion of the ambience and sound-stage of the venue, vs analog which was very slightly more compressed. The attack of bass notes was slightly increased. Bass, mid and treble amplitude/volume did not seem affected.
Step Three - Mac with iBasso D1 DAC: As I've noted before, the Macbook OPTICAL OUT sound quality via iBasso D1 is superior to the analog out. The improvements listening via D1 USB are just as easily noted when compared to analog. So, the iBasso D1 DAC was used to feed the Headsix next, as a direct comparison between the Headstage budget DAC and the iBasso D1 DAC. I did not have time to compare D1 USB vs D1 Optical, but if memory serves me, I think optical is still better. The D1 connected via USB shows up in the Mac sound control panel differently, as USB audio CODEC" instead of "USB audio DAC".
The iBasso D1 USB DAC surpassed the Headstage USB DAC fairly easily. At $229 vs $29, that's no no surprise. Hypothetically speaking, if the headstage DAC was a nice worthy 25% improvement over the Macbook analog when driving the Headsix, the D1 USB DAC was a 75% improvement over analog. With the iBasso D1 DAC into the Headsix, I could close my eyes and MORE easily imagine being there with the musicians. The walls around me were pushed out of reach and the space opened up seemingly to the size of the venue of the recording.
Step Four - Mac to Headstage USB DAC cable vs built-in USB DAC of Lyrix amp - asking if the quality the same?: Both external and internal Headstage USB basically sound the same, and were both a slight but equally welcome upgrade to the Macbook's built-in headphone out.
Step Five - PC integrated sound card out vs USB DAC: The PC sound card was terrible - with heavy mushy overbearing bass, and poor detail everywhere. Yep, analog out of the PC turned my HD600/Headsix into a Bose IE on an iPod shuffle.
Interestingly, while the USB DAC cleaned up the sound, the PC still put out more bass than desirable. I double checked, and there was no EQ on the PC, but I am not a PC expert and may have missed something. Adding some EQ did help remove the extra bass, but it still didn't sound as good as the Mac. Switching to the ER6i I found the extra bass to be a bonus, but I have no idea why the sound balance via the same USB DAC device should be different on the PC USB port vs the Macbook USB port, unless it's the Windows XP drivers, some other software issue, or
The improvement to the PC sound quality by changing from analog out to USB DAC out was greater than the improvement of the Macbook sound, because the starting point was so much worse. The Macbook is the clear winner, whether analog out of USB DAC out. But, for those using the built-in sound card in a PC motherboard, the DAC USB cable is still a winner for $29. I will update the review tomorrow after I get to try the D1 on the PC (crying too hard after world series game 1 to do it).
CONCLUSION: While the iBasso D1 DAC is better than the Headstage DAC cable, the Headstage DAC cable is still better than analog out of both PC > Mac analog out.
The Headstage USB DAC is a worthwhile upgrade if you listen to music on your computer with a headphone amp, especially (a) on a laptop where you can't swap out sound cards or (b) on a desktop PC when you are on a budget or (c) the PC belongs to your job and you can't "mod" it.
Final Random Thoughts and Tidbits: I can't categorize this, and some may be off topic, but here are things I observed when doing this test.
The Headstage amp with USB DAC cable (or built-in DAC) and the Headsix amp fed by the USB DAC cable may get their own review later, but not here. I will say that BOTH sound very good with analog input, and BOTH improved with USB DAC beyond analog, and both sound better than a stock iBasso D1 amp. This is despite the fact that neither of the new amps has been burned in more than 24 hours!
By the end of my first 10-15 minutes I could pick out which amp is which. The main difference is in imaging, and all do it very well, just differently. (1) The HEADSIX is a little more forward and brings the mids like saxophone up closer, as if I was up on stage right NEXT to it, while the string bass and drums are a few feet away and spread apart - so the HEADSIX sound stage is still very open. (2) The Headstage Lyrix USB Pro Total is a just a little more distant, so everything seems on stage and a few feet away, but it still puts you the listener on the FIRST row with a wide sound stage. (3) However, the stock D1 amp puts you back in the 10th row, sounding a little distant. At first that gave the illusion of a bigger sound stage, because you could get farther away from the instruments, but now except for music recorded in a stadium concert, that is too far away for me.
Once I got a good ALO Jumbo Cryo X iMod dock line out, my Tomahawk started to sound better than the stock D1 too - wake up call. So, I'm also going to order a high quality (read expensive) 3.5mm-3.5mm interconnect as well, AND I am going to roll the good opamps back into the D1 as soon as possible. The D1's DAC has consistently improved the sound of every amp I have connected it to, but the cable is the weak link right now. This should allow any amp connected to the D1 DAC to sound even better, including the built-in amp!
It also seems the synergy the Stock D1 has with the Shure SE500's is not there with the HD600's. What sounds just right with the SE500's sounds a little too shrill with the stock opamps when using HD600's with Black Dragon cables (stock Senn cables sounded better with stock D1). The OPA2111 as LR amp synergizes with AD8397 as buffers better than the stock AD816 and the NE5222. I still have LT4562 and LME49720 to try as buffers, and an AD746, AD6234 and 6241-HV to try as LR opamps, blah blah blah...
Overall, I believe I prefer the warmer more forward sound of the Headsix the most out of all my amps, with the Headstage and Tomahawk a very close second - but with the different opamps I believe the D1 amps sounds as good as any of them.
After reader's requests - Here is my Review of the Headstage Lyrix vs the Meier Headsix and iBasso D1, using USB DAC as input from a Macbook.
I'd guess it might be able to bill itself as "smallest on the market", at less than 2" x 3/4" x 1/2" and line powered. It is so small it fits inside of a heat-shrink tube in the middle of a USB to 3.5mm cable. It comes in two lengths, mine is the 85cm version. The little black pod in the middle of the USB cable is the DAC!
The statement from the Headstage.com web-page says,
"This unique cable transfers digital audio files on your computer into quality analog audio. It is the ideal accessory to convert your headphone amp in[to] an external sound card! How does it work? Just connect the USB port of your computer with the input jack of your headphone amp and the DAC cable automatically does all the digital-to-analog conversation! The result is a much better sound then most standard audio cards would provide! The cable uses TI's 16-bit killer DAC chip PCM2704 that accepts 32, 44.1 and 48 kHz sampling rates."
This is reported to be a good DAC chip, from searching the forums, and several kit and production DAC's discussed here use it. There are better chips out there, but that kinda defeats the purpose of an inexpensive upgrade to the computers OEM sound output. If you're looking for the end-all DAC for your computer, buy a new sound card or PC card sound card, or a stand alone DAC.
PROCEDURE: THIS FIRST PART IS A TEST OF THE DACs, NOT THE AMPS - to see how they allow the SQ of a good amp to improve even more when listening to the computer. Since the opamps in the iBasso D1 had been rolled previously (OPA2111/AD8397 buffers/AD8656 in the DAC), including the one in the DAC, ALL STOCK OPAMPS WERE RETURNED TO THE D1 FOR THIS TEST OF THE IBASSO's DAC VS HEADSIX DAC.
THE MEIER HEADSIX WAS THE PRIMARY TEST AMP, since it's analog input is SUPERIOR to the STOCK D1 analog input and my Tomahawk was not available at this time. I wanted an amp other than Headstage, to rule out an unfair synergy between an external Headstage DAC and Headstage amp. But, the Headstage amp's built-in DAC was also a control to compare against the standalone USB DAC, in case the standalone should sound worse than the amp's built-in DAC. Since the D1 has only a fair analog input when stock, I didn't use it with the external USB DAC.
SOURCE: I used my Macbook 2ghz Core 2 Duo with OSX 10.4.9 and a homebuilt PC with Windows XP SP2 and built-in sound in the motherboard, labeled SoundMAX in the sound device manager.
DRIVERS: The Mac installs it automatically (instantly) as USB audio DAC. Windows plug and play detects USB DAC, USB audio and HID Human Interface Device and installed them, taking a couple of minutes on a 2ghz celeron. I did not have to select drivers.
I've previously publicly complained about lousy sound via Macbook headphone out - but I solved the problem. I had installed an iTunes extension, SRS iWOW, on the Macbook a few weeks ago, and forgot it was on. It was automatically selecting profiles based on Genre, making the macbook speakers sound better, but via headphones the sound was SHeeT. I learned how to disable this software, Ahhhh much better.
JUKEBOX SOFTWARE: iTunes Mac 7.4.2, iTunes PC 7.4.1.2
MUSIC CODECS: Apple Loss-less CODEC
MUSIC SELECTION: Arne Domnerus "Jazz at the Pawnshop", Al Di Meola "Kiss My Ax", Dave Mathews "Live at Red Rocks", Pat Metheney "Selected Recordings ECM"
AMPS: iBasso D1 ($252 shipped, 400+ hours burn-in, stock opamps), Meier Headsix on default gain setting ($165 shipped, 24 hours), Headstage Lyrix USB Pro Total (24 hours, stock opamps). The Lyrix is maxed out on options and sells for $219 with every option available. I won mine on eBay and paid about $170 with socketed opamps, finegold caps, 4 channel operation, AC power supply, several cables and shipping.
DACs: iBasso USB DAC (12 hours via USB, 100+ hours optical), Headstage USB DAC ($39, 18 hours), the Lyrix was tested with the DAC cable vs built-in DAC to see if difference could be detected - it was not tested to see if it has a DAC pass-through output (don't believe it does).
HEADPHONES: Sennheiser HD600, with cryoparts.com treated Moon Audio Black Dragon 4ft cable with 3.5mm plug.
RESULTS:
Step One - Mac Analog out: I first started listening to the Macbook audio out to the Meier Headsix because I was already enjoying the new amp with my iPod, and I was getting used to the sound signature. I used a $20 custom made 3.5mm - 3.5mm interconnect cable. Sound quality was pleasant.
The Meier Headsix has a nice warm sound, with forward mids and wide sound stage. It brings the mids like saxophone up closer, as if I was up on stage right next to it, while the string bass and drums are a few feet away. So, the HEADSIX sound stage is still very open. Without changing the gain settings it will play the HD600 at a comfortable and adequate listening volume with the knob at 100% and Mac volume at 100%. I did not take it apart to change to high gain. It's volume output was similar to the stock D1 amp's output, which has no gain switch.
Step Two - Mac with Headstage DAC: Plugging the Headstage DAC into USB, the Mac sound control panel shows a new source, "USB audio DAC". Selecting the source in the Macbook control panel allows instant switching between headphone out and DAC.
With the Mac, the Headstage DAC improved the sound, and the Mac's improvement was repeatable, and welcome but not dramatic. The difference in sound between analog audio out and USB audio DAC was subtle, and took time (3 hours) to be convinced that the differences were repeatable, and this was tested with all my music selections. The air around the instruments was more open between notes, and notes did not take prolonged time to decay. There was a subtle expansion of the ambience and sound-stage of the venue, vs analog which was very slightly more compressed. The attack of bass notes was slightly increased. Bass, mid and treble amplitude/volume did not seem affected.
Step Three - Mac with iBasso D1 DAC: As I've noted before, the Macbook OPTICAL OUT sound quality via iBasso D1 is superior to the analog out. The improvements listening via D1 USB are just as easily noted when compared to analog. So, the iBasso D1 DAC was used to feed the Headsix next, as a direct comparison between the Headstage budget DAC and the iBasso D1 DAC. I did not have time to compare D1 USB vs D1 Optical, but if memory serves me, I think optical is still better. The D1 connected via USB shows up in the Mac sound control panel differently, as USB audio CODEC" instead of "USB audio DAC".
The iBasso D1 USB DAC surpassed the Headstage USB DAC fairly easily. At $229 vs $29, that's no no surprise. Hypothetically speaking, if the headstage DAC was a nice worthy 25% improvement over the Macbook analog when driving the Headsix, the D1 USB DAC was a 75% improvement over analog. With the iBasso D1 DAC into the Headsix, I could close my eyes and MORE easily imagine being there with the musicians. The walls around me were pushed out of reach and the space opened up seemingly to the size of the venue of the recording.
Step Four - Mac to Headstage USB DAC cable vs built-in USB DAC of Lyrix amp - asking if the quality the same?: Both external and internal Headstage USB basically sound the same, and were both a slight but equally welcome upgrade to the Macbook's built-in headphone out.
Step Five - PC integrated sound card out vs USB DAC: The PC sound card was terrible - with heavy mushy overbearing bass, and poor detail everywhere. Yep, analog out of the PC turned my HD600/Headsix into a Bose IE on an iPod shuffle.
Interestingly, while the USB DAC cleaned up the sound, the PC still put out more bass than desirable. I double checked, and there was no EQ on the PC, but I am not a PC expert and may have missed something. Adding some EQ did help remove the extra bass, but it still didn't sound as good as the Mac. Switching to the ER6i I found the extra bass to be a bonus, but I have no idea why the sound balance via the same USB DAC device should be different on the PC USB port vs the Macbook USB port, unless it's the Windows XP drivers, some other software issue, or
The improvement to the PC sound quality by changing from analog out to USB DAC out was greater than the improvement of the Macbook sound, because the starting point was so much worse. The Macbook is the clear winner, whether analog out of USB DAC out. But, for those using the built-in sound card in a PC motherboard, the DAC USB cable is still a winner for $29. I will update the review tomorrow after I get to try the D1 on the PC (crying too hard after world series game 1 to do it).
CONCLUSION: While the iBasso D1 DAC is better than the Headstage DAC cable, the Headstage DAC cable is still better than analog out of both PC > Mac analog out.
The Headstage USB DAC is a worthwhile upgrade if you listen to music on your computer with a headphone amp, especially (a) on a laptop where you can't swap out sound cards or (b) on a desktop PC when you are on a budget or (c) the PC belongs to your job and you can't "mod" it.
Final Random Thoughts and Tidbits: I can't categorize this, and some may be off topic, but here are things I observed when doing this test.
The Headstage amp with USB DAC cable (or built-in DAC) and the Headsix amp fed by the USB DAC cable may get their own review later, but not here. I will say that BOTH sound very good with analog input, and BOTH improved with USB DAC beyond analog, and both sound better than a stock iBasso D1 amp. This is despite the fact that neither of the new amps has been burned in more than 24 hours!
By the end of my first 10-15 minutes I could pick out which amp is which. The main difference is in imaging, and all do it very well, just differently. (1) The HEADSIX is a little more forward and brings the mids like saxophone up closer, as if I was up on stage right NEXT to it, while the string bass and drums are a few feet away and spread apart - so the HEADSIX sound stage is still very open. (2) The Headstage Lyrix USB Pro Total is a just a little more distant, so everything seems on stage and a few feet away, but it still puts you the listener on the FIRST row with a wide sound stage. (3) However, the stock D1 amp puts you back in the 10th row, sounding a little distant. At first that gave the illusion of a bigger sound stage, because you could get farther away from the instruments, but now except for music recorded in a stadium concert, that is too far away for me.
Once I got a good ALO Jumbo Cryo X iMod dock line out, my Tomahawk started to sound better than the stock D1 too - wake up call. So, I'm also going to order a high quality (read expensive) 3.5mm-3.5mm interconnect as well, AND I am going to roll the good opamps back into the D1 as soon as possible. The D1's DAC has consistently improved the sound of every amp I have connected it to, but the cable is the weak link right now. This should allow any amp connected to the D1 DAC to sound even better, including the built-in amp!
It also seems the synergy the Stock D1 has with the Shure SE500's is not there with the HD600's. What sounds just right with the SE500's sounds a little too shrill with the stock opamps when using HD600's with Black Dragon cables (stock Senn cables sounded better with stock D1). The OPA2111 as LR amp synergizes with AD8397 as buffers better than the stock AD816 and the NE5222. I still have LT4562 and LME49720 to try as buffers, and an AD746, AD6234 and 6241-HV to try as LR opamps, blah blah blah...
Overall, I believe I prefer the warmer more forward sound of the Headsix the most out of all my amps, with the Headstage and Tomahawk a very close second - but with the different opamps I believe the D1 amps sounds as good as any of them.
After reader's requests - Here is my Review of the Headstage Lyrix vs the Meier Headsix and iBasso D1, using USB DAC as input from a Macbook.