Wow, tough crowd.
I think it does a much better job of blending her quirkiness found in the first few albums with some improved songwriting and pop sensibilities than Begin to Hope. I thought that album had a few decent tracks, but was too polished and didn't have many deep cuts. Far has a bunch of great tracks, start to finish, and while being a more refined, accessible album than say 11:11 or even Soviet Kitsch, it still lets her little idiosyncrasies shine through. Begin to Hope moved to the top of her discography for me when it first came out, primarily due to "Fidelity" and "On The Radio", but the album lacked staying power, and now those are really the only two songs I revisit regularly. Far may not have anything that grabs you right off like those tracks, but as is often the case, the ones that take longer to get under your skin stay there longer.