Idsynchrono_24
Headphoneus Supremus
- Joined
- Sep 22, 2005
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If I had to sum up my experience with the A00 with one word, it'd have to be “surprise”. Not always in the positive sense, but (to cut to the chase) for their price bracket, they'd garner a solid recommendation from me.
Fit and Finish
The first surprise came in the form of their build quality; you'd never know they were playing second fiddle to the A03 in the product line as the A00s smoothly machined, metal chassis, robust cables and L plug exude a sense of quality that harkens back to when “Made in Japan” actually meant something. So kudos to Red Giant for knocking it out of the park where build comes to the fore. Now, the fact that these can take a thrashing aside, their oblong shape and the entry point of the cable into the driver housing confuses me. You can understand why they went with a seemingly ergonomic shape, it allows for the phones to lay more flush against the ear, but if you've got a strangely shaped ear like myself, the fit can be trying on your patience. To exacerbate this issue, the entry point of the cables lie on the underside of the driver housing (like your average pair of phones), rather than the more sensible option of having them project from the top where one can easily loop the cable around the ear. I mention this because if you can't manage a good seal, the sheer weight of the earpieces along with the tugging motion of the wires can cause the whole shebang to come dislodged from your ears. Other than these two annoying quirks, Red Giant have summarily delivered a product that feels far more premium than its price might suggest.
Sound
I will confess that I didn't exactly come into this with an open mind as I was prepared to audition the much more expensive A03, only to have to settle for its more budget minded little bro due to the A03's woeful fit. That coupled with the fact that I'd been listening exclusively to the ES5 for the past couple of months set the stage for this forthcoming auditory bigotry. What could it sound like other than a murky mishmash of bloated, tubby bass and recessed mids and treble? But you know what? Surprise, surprise, I didn't exactly hate the A00, in fact, I was pleasantly surprised by how inoffensive, and hell, nice they sounded. Make no mistake, the A00s aren't going to sound spectacular with everything, but they're actually more well rounded than I was prepared to give them credit for, and from Led Zeppelin to Ratatat to The XX to Tron Reconfigured, they handled the material I threw their way reasonably well.
From track to track, the bass definitely takes center stage here, but it's surprisingly capable. The bass isn't quite fast enough to lend the staccato synths in Adagio for Tron (Tron Reconfigured) that stuttering texture, but it's more than happy to blithely pound your eardrums. Bass light, these phones are not, but what's on hand is fairly well controlled and quite fun to take in. And while the A00's midbass is quite good, the sub bass does lack the impact of a truly great bassy phone like the FX500. The mids are similarly good, vocals being clear and intelligible with good body to them, but an ever present veil never allows for the vocalist to truly be “there” as you'd find on Modest Mouse's “Styrofoam Boots” or Beach House's “Other People” while listening on better phones.
Guitars and drums came across with good energy and believable timbre on rock albums such as Muse's Origin of Symmetry, Number Girl's Num Heavy Metallic and Led Zeppelin's Mothership, and despite a veil hanging over it all, all the appropriate details were clearly audible, with separation between instruments being quite a bit better than I would have expected. It wasn't until I tossed the mutli-layered orchestral recordings on the Evangelion 2.0 OST and the Final Fantasy Distant Worlds concert at it, that the A00's fared more poorly and became congested. The treble, while recessed, will present sibilant recordings as such (Billie Jean off of the Thriller 25th anniversary pressing for instance), and while it doesn't lend snare drums that satisfying crack or crash and ride cymbals that shimmer and sparkle, it does allow for a smooth and fatigue free listen. The soundstage seemed to vary in size depending upon the recording, a trait that I found was similar to the SM3 in a way. This initially led me to believe that they only projected an average sized stage, but listening to Derezzed by Avicii (Tron Reloaded) proved me wrong on that count; they can indeed sound quite large when the recording calls for it. Width aside, they sounded quite flat and lacking in depth, and their imaging isn't exactly good.
Yes, the A00 isn't exactly a technical juggernaut nor the most euphonic set of phones, but they do present a well balanced sound that while not ostentatious, is well judged and should serve the varied tastes of the music lover on a budget.
Fit and Finish
The first surprise came in the form of their build quality; you'd never know they were playing second fiddle to the A03 in the product line as the A00s smoothly machined, metal chassis, robust cables and L plug exude a sense of quality that harkens back to when “Made in Japan” actually meant something. So kudos to Red Giant for knocking it out of the park where build comes to the fore. Now, the fact that these can take a thrashing aside, their oblong shape and the entry point of the cable into the driver housing confuses me. You can understand why they went with a seemingly ergonomic shape, it allows for the phones to lay more flush against the ear, but if you've got a strangely shaped ear like myself, the fit can be trying on your patience. To exacerbate this issue, the entry point of the cables lie on the underside of the driver housing (like your average pair of phones), rather than the more sensible option of having them project from the top where one can easily loop the cable around the ear. I mention this because if you can't manage a good seal, the sheer weight of the earpieces along with the tugging motion of the wires can cause the whole shebang to come dislodged from your ears. Other than these two annoying quirks, Red Giant have summarily delivered a product that feels far more premium than its price might suggest.
Sound
I will confess that I didn't exactly come into this with an open mind as I was prepared to audition the much more expensive A03, only to have to settle for its more budget minded little bro due to the A03's woeful fit. That coupled with the fact that I'd been listening exclusively to the ES5 for the past couple of months set the stage for this forthcoming auditory bigotry. What could it sound like other than a murky mishmash of bloated, tubby bass and recessed mids and treble? But you know what? Surprise, surprise, I didn't exactly hate the A00, in fact, I was pleasantly surprised by how inoffensive, and hell, nice they sounded. Make no mistake, the A00s aren't going to sound spectacular with everything, but they're actually more well rounded than I was prepared to give them credit for, and from Led Zeppelin to Ratatat to The XX to Tron Reconfigured, they handled the material I threw their way reasonably well.
From track to track, the bass definitely takes center stage here, but it's surprisingly capable. The bass isn't quite fast enough to lend the staccato synths in Adagio for Tron (Tron Reconfigured) that stuttering texture, but it's more than happy to blithely pound your eardrums. Bass light, these phones are not, but what's on hand is fairly well controlled and quite fun to take in. And while the A00's midbass is quite good, the sub bass does lack the impact of a truly great bassy phone like the FX500. The mids are similarly good, vocals being clear and intelligible with good body to them, but an ever present veil never allows for the vocalist to truly be “there” as you'd find on Modest Mouse's “Styrofoam Boots” or Beach House's “Other People” while listening on better phones.
Guitars and drums came across with good energy and believable timbre on rock albums such as Muse's Origin of Symmetry, Number Girl's Num Heavy Metallic and Led Zeppelin's Mothership, and despite a veil hanging over it all, all the appropriate details were clearly audible, with separation between instruments being quite a bit better than I would have expected. It wasn't until I tossed the mutli-layered orchestral recordings on the Evangelion 2.0 OST and the Final Fantasy Distant Worlds concert at it, that the A00's fared more poorly and became congested. The treble, while recessed, will present sibilant recordings as such (Billie Jean off of the Thriller 25th anniversary pressing for instance), and while it doesn't lend snare drums that satisfying crack or crash and ride cymbals that shimmer and sparkle, it does allow for a smooth and fatigue free listen. The soundstage seemed to vary in size depending upon the recording, a trait that I found was similar to the SM3 in a way. This initially led me to believe that they only projected an average sized stage, but listening to Derezzed by Avicii (Tron Reloaded) proved me wrong on that count; they can indeed sound quite large when the recording calls for it. Width aside, they sounded quite flat and lacking in depth, and their imaging isn't exactly good.
Yes, the A00 isn't exactly a technical juggernaut nor the most euphonic set of phones, but they do present a well balanced sound that while not ostentatious, is well judged and should serve the varied tastes of the music lover on a budget.