On the other hand a post-modernist provocateur Kathryn Bigelow somehow managed to make it with two related films The Hurt Locker and Zero Dark Thirty. The latter is already preposterous in current political landscape ( those who follow
current condition in the Middle East will understand what I'm talking about).
Specific and very rare talent of Farhadi is that he manages to make family dramas so engaging and moving without usual cinematic tricks and pomp for which Hollywood is infamous especially lately.
P.S. I want to return to a case of Kathryn Bigelow and show how her every film rotates around violence in a very aggressive form. A woman pretending to be a macho.
Strange way to describe Kathryn Bigelow... may I ask why you define her as a woman pretending to be a macho?
Her latest films, the Hurt Locker and Zero Dark Thirty are not about provoking (
although they can have such effect for someone specially sensitive about the context of the themes), at least I don't think that's her cinematic goal.
I saw these 2 movies, they're a lot more humanistic than people generally think, despite their rawness and violence depiction.
She has a way of laying bare the insignificance of the motivations that lead a person to warfare or to fatally attact someone else.
She strips away the
reason to be of the protagonists when they are no longer in the "battlefield".
Her movies are more intelectual and deeper than a literal reading of the motion pictures.
There's a second meaning behind the scenes in the screen despite the raw and documentary look of her movies, that's why her movies are so good.
She has true cinematic skill, she doesn't use tricks.
She happens to treat about sensitive subjects on the middle east but I don't think she is doing it in a way to provoke or cause discomfort.
Her films are mostly about the person not so much about the context of the conflicts.