Cat People : 7/10
The first collaboration between producer Val Lewton and director Jacques Tourneur was a fruitful one. As with their next feature,
I Walked With a Zombie, it's an exercise in subtlety. Tasked by the studio with making a horror film (by all accounts, the title came before the film began shooting), Lewton decided to go down a different route to the Universal monster movies of the time, and make a horror film without the typical genre trappings. There are no in your face scares here - it's all about creating atmosphere through a less-is-more approach.
There are a couple of stand out scenes: in the swimming pool, where Alice is stalked by an unseen predator while the shadows from the light on water dance on the walls, and then when she's followed down the road, before catching a convenient bus ride out of danger. As in
Night of the Demon, there's also a tension between scepticism and the occult; in this case, Dr. Judd is tasked with being the voice of reason, as a psychiatrist. It's a get out clause for an audience unwilling to believe that Irena is really a shape-shifting panther but there's not really any doubt about who is right - in the end, they acknowledge "she never lied to us."
It's as much a melodrama centred around a failing marriage and the sexual repression at the heart of it as it is a horror, but like
I Walked With a Zombie, it opened up the possibility of making a genre film that wasn't about cheap scares and effects. Personally I prefer Zombie, mainly due to the otherworldliness of the Caribbean setting, but
Cat People was probably the more influential of the two films.
The Curse of the Cat People : 7/10
A follow up to the original
Cat People that was demanded by the studio and which Lewton reluctantly agreed to produce. The title is a real misnomer, as it has very little to do with the first film, save for a few of the same cast members and the odd reference. It also makes it sound like a typical horror, and in fact, it's anything but. Audiences at the time, going along expecting a horror flick would probably have been sorely disappointed!
This film is all about Amy Reed, the daughter of Oliver, who was a central character in
Cat People. Everything is seen from her perspective, as she struggles to come to terms with the banality of the real world, preferring to escape instead into a fairy tale world she creates for herself; it's a film about the validity of imagination. At first, her father fails to grasp this, too wrapped up in worldly matters and having repressed his own experiences with the supernatural. It's only at the end, when he's able to lay Irena's memory to rest, he can understand his daughter's outlook. Unlike the urban setting of the first film, Curse relocates to the country, at Christmas time, and there's something genuinely magical about the snowy outdoor scenes and the gloomy interiors of the Farren house. I guess you could say it's rather a slight film but you'd have to have a heart of stone not to be touched by its quiet charms. Ann Carter is especially good as Amy, acting with a naturalism kids often struggle to nail.
On a side note, it was also the first director credit for Robert Wise, who took over from shooting half-way through when RKO decided to let Gunther Von Fritsch go, who apparently refused to fall in line with the studio's tight shooting schedule.