WraithApe
Headphoneus Supremus
A day of quality programming from the FrightFest team for Halloween...
Hostile - 4/10
Part small-scale post-apocalyptic survival movie, part romantic drama, inter-cutting between the two through flashbacks. By the end though, the ball is firmly in the court of cheesy romantic drama. Not what I was expecting at all!
The Black Gloves - 1/10
Supposed to be a homage to thrillers of the 40s but just shooting something in black and white doesn't make it Hitchcock. Appallingly bad sound mix (half the dialogue was rendered inaudible by the music), terrible acting and a stupid plot involving an owl-headed spectre and a haunted ballerina make for a total train wreck.
It Came From the Desert - 6/10
About as good as you reasonably expect a modern day B-movie about giant ants to be. Very much plays it for laughs, and generally gets them. The ants are nothing to write home about, effects wise, but some good writing and 80s-fueled nostalgic good will keep this one afloat.
Housewife - 5/10
Technically fairly well-made but without an original bone its body - nothing here that hasn't been done better by Polanski, Del Toro, Cronenberg et al. Takes a turn for the Lovecraft at the end, but that's not enough to elevate what is otherwise very mediocre fare: a confusing mishmash of cult programming, astral projection and body horror leads nowhere very exciting.
Beyond Skyline - 3/10
If ever a film didn't need a sequel it was probably 2010's Cloverfield wannabe, Skyline. This one is more in the Independence Day spirit and adds kung fu into the mix for good measure. Cheesy, predictable, CGI-heavy nonsense that I was praying would end from at least the half way point. It's hard to see this overblown action sci-fi guff appealing to anyone over the age of about twelve.
Terrifier - 7/10
Finally! A horror film worthy of the name; this is unashamedly old-school, harking back to the golden age of exploitation and video nasties. Expanded into a feature from his own short of six years earlier, Damien Leone's film doesn't over-reach the limitations it sets for itself and as a result delivers a taut, gleefully nasty little slasher that really gets the juices flowing. Makers of It take note: this is how you do properly scary clowns.
Hostile - 4/10
Part small-scale post-apocalyptic survival movie, part romantic drama, inter-cutting between the two through flashbacks. By the end though, the ball is firmly in the court of cheesy romantic drama. Not what I was expecting at all!
The Black Gloves - 1/10
Supposed to be a homage to thrillers of the 40s but just shooting something in black and white doesn't make it Hitchcock. Appallingly bad sound mix (half the dialogue was rendered inaudible by the music), terrible acting and a stupid plot involving an owl-headed spectre and a haunted ballerina make for a total train wreck.
It Came From the Desert - 6/10
About as good as you reasonably expect a modern day B-movie about giant ants to be. Very much plays it for laughs, and generally gets them. The ants are nothing to write home about, effects wise, but some good writing and 80s-fueled nostalgic good will keep this one afloat.
Housewife - 5/10
Technically fairly well-made but without an original bone its body - nothing here that hasn't been done better by Polanski, Del Toro, Cronenberg et al. Takes a turn for the Lovecraft at the end, but that's not enough to elevate what is otherwise very mediocre fare: a confusing mishmash of cult programming, astral projection and body horror leads nowhere very exciting.
Beyond Skyline - 3/10
If ever a film didn't need a sequel it was probably 2010's Cloverfield wannabe, Skyline. This one is more in the Independence Day spirit and adds kung fu into the mix for good measure. Cheesy, predictable, CGI-heavy nonsense that I was praying would end from at least the half way point. It's hard to see this overblown action sci-fi guff appealing to anyone over the age of about twelve.
Terrifier - 7/10
Finally! A horror film worthy of the name; this is unashamedly old-school, harking back to the golden age of exploitation and video nasties. Expanded into a feature from his own short of six years earlier, Damien Leone's film doesn't over-reach the limitations it sets for itself and as a result delivers a taut, gleefully nasty little slasher that really gets the juices flowing. Makers of It take note: this is how you do properly scary clowns.
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