Spectre. 7/10. Felt like I watched it before but I don´t understand why it´s so cold. It´s just marginally hotter then Rogue Nation but they are so sterile, cold and there is no real emotions. Had a little bit more fun then with Rogue nation though give the movies back some hearts please.
Spectre. 7/10. Felt like I watched it before but I don´t understand why it´s so cold. It´s just marginally hotter then Rogue Nation but they are so sterile, cold and there is no real emotions. Had a little bit more fun then with Rogue nation though give the movies back some hearts please.
That'll be the Craig factor - and the insistence of the producers to try to push Bond into Bourne territory over the last few installments, which I think is a shame. There are plenty of other gritty actioners out there; what made the Bond films of old special was the wry humour and their sense of style.
Spectre. 7/10. Felt like I watched it before but I don´t understand why it´s so cold. It´s just marginally hotter then Rogue Nation but they are so sterile, cold and there is no real emotions. Had a little bit more fun then with Rogue nation though give the movies back some hearts please.
Don't know, I loved the movie. I have seen every Bond. Still they do change with the times a little? I actually think they are getting better than they were in 2003-2004 era? Yes, I noticed the coldness but maybe in the start. The key for me was to look at it as a pure fantasy, once that was in place it sailed. IMHO.
Time to introduce a seventh and down with the new clinical ikea trend?
Finally got to see a movie with a lot of warmth... Down in the ice cold depth of the black sea.
Never seen a bad U-boat movie and this is not bad at all. 8/10.
Last Knights also surprised me positively I was braised for impact but Clive Owen and the likes delivers. I did recognize the bad guy from some norwegian movies if I am not misstaken. He is doing a reprisal of Prince John from Disneys Robin Hood. 8/10
One of my favourite King adaptations by one of my favourite directors, starring one of my favourite actors. If you were being critical, you might say the film's 'Hitler Dilemma' is painted in broad strokes, but that's more than made up for by the brilliant end move and some star turns from the venerable Herbert Lom, Tom Skerritt and Chris Walken. Showcases Cronenberg approaching the zenith of his powers with a lot of familiar tropes to the fore - obscure clinics, the cult mindset and powers of transformation. He's always had a way of dignifying material that would be schlock in the hands of lesser directors; it's surprisingly poignant at times.
I won't miss it. This seems to be a problem of the American Film industries own making. Now that the only time you can release a big name movie is Christmas you have to pick your year carefully lest some other film actually offer competition.
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