pataburd
Headphoneus Supremus
Update, 07/18/2007.
The RAL/Proline cable is back. After Brad Vojtech shortened the strain-relief section and put a 1/4" terminal on the amplifier end (instead of the typical 1/8" plug), the cable looks great, wears very comfortably now and sounds super! (The cable went back-and-forth twice since my original purchase--undergoing two more round trips to the Sunshine state, but Brad has been very patient and accommodating with my general persnicketiness and multiple post hoc requests.)
Between about 50 and 75 hours, the cable went through a bit of a "harsh" phase, and seemed nearly unlistenable compared to my first impressions. Now, nearing perhaps 100+ hours (and mated w/the Proline 750), it is returning with sharpened focus and even more detail. Soundstage is still appreciably enlarged, but now with a heightened sense of air and separation between instruments/performers; depth perception in particular has improved considerably. Individual sounds really "play out" to a complete rendering of the specific vocalist or instrument. Musical synergy has further developed and improved, along with more ease and a wonderful sense of timing. (The Corda Cross-1 is coming into play, too, helping provide a seamless transition across the headstage.)
Here is Brad's description of how the screw-in terminal (salvaged from a stock Proline cable) is utilized in his Proline cable:
'Details regarding the threaded connector (FYI) - we remove ALL the plastic moulding from around the the stock threaded Ultrasone connector, and salvage only the metal connector contact subassembly itself. We then remove the stock wires from the terminals where they are connected to the contacts by the factory, and make the connections of our conductors to those same points. In other words, we DO NOT simply "splice" our conductors to the connector. Finally we install a gold metal connector shell on the threaded connector. Our headphone cable is shielded with Mil Spec heavy braided copper shielding, with the shield drained at only the source end - so the shield is never in the signal path.'
Soon, I am hoping to get a picture of the RAL/Proline cable, or a link to that picture, from Brad. It's a nice-looking piece of work! God willing you can see what it looks like. Skullguise, FYI I kept the purple--not pink, even though it looks a little pink!--TechFlex. I think it's the slimmest cable option available. Microphonics--although it does exist to a small degree--is not a problem at all for me when I'm using this cable.
RAL/Proline Cable APPLICATION NOTE:
When installing, to avoid over-twisting the screw-in end and possibly damaging the cable, hold the screw-in jack stationary and turn the headphones until a tight connection is achieved. Avoid over tightening.
After that, just sit back and enjoy the sound of this wonderful cable! : )
The RAL/Proline cable is back. After Brad Vojtech shortened the strain-relief section and put a 1/4" terminal on the amplifier end (instead of the typical 1/8" plug), the cable looks great, wears very comfortably now and sounds super! (The cable went back-and-forth twice since my original purchase--undergoing two more round trips to the Sunshine state, but Brad has been very patient and accommodating with my general persnicketiness and multiple post hoc requests.)
Between about 50 and 75 hours, the cable went through a bit of a "harsh" phase, and seemed nearly unlistenable compared to my first impressions. Now, nearing perhaps 100+ hours (and mated w/the Proline 750), it is returning with sharpened focus and even more detail. Soundstage is still appreciably enlarged, but now with a heightened sense of air and separation between instruments/performers; depth perception in particular has improved considerably. Individual sounds really "play out" to a complete rendering of the specific vocalist or instrument. Musical synergy has further developed and improved, along with more ease and a wonderful sense of timing. (The Corda Cross-1 is coming into play, too, helping provide a seamless transition across the headstage.)
Here is Brad's description of how the screw-in terminal (salvaged from a stock Proline cable) is utilized in his Proline cable:
'Details regarding the threaded connector (FYI) - we remove ALL the plastic moulding from around the the stock threaded Ultrasone connector, and salvage only the metal connector contact subassembly itself. We then remove the stock wires from the terminals where they are connected to the contacts by the factory, and make the connections of our conductors to those same points. In other words, we DO NOT simply "splice" our conductors to the connector. Finally we install a gold metal connector shell on the threaded connector. Our headphone cable is shielded with Mil Spec heavy braided copper shielding, with the shield drained at only the source end - so the shield is never in the signal path.'
Soon, I am hoping to get a picture of the RAL/Proline cable, or a link to that picture, from Brad. It's a nice-looking piece of work! God willing you can see what it looks like. Skullguise, FYI I kept the purple--not pink, even though it looks a little pink!--TechFlex. I think it's the slimmest cable option available. Microphonics--although it does exist to a small degree--is not a problem at all for me when I'm using this cable.
RAL/Proline Cable APPLICATION NOTE:
When installing, to avoid over-twisting the screw-in end and possibly damaging the cable, hold the screw-in jack stationary and turn the headphones until a tight connection is achieved. Avoid over tightening.
After that, just sit back and enjoy the sound of this wonderful cable! : )