Tyson
Headphoneus Supremus
- Joined
- Apr 17, 2003
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The Hough/Litton set has become my favorite (gasp!), as it is the least romantic of the sets I have. This has been a part of a general move in my tastes toward more lean and intense type of performances (Francescatta has also become my favorite violinists, and Mitropoulos my favorite conductor). Hough, Tetzlaff, Andsnes, Mork, all have become favorite performers for me due to this. I'll probably swing back to a more romantic preference eventually, but for now I like even Rach done in this new style.
I think the performance that actually pushed me over the edge with regard to Rach is the Wild PC recordings. They were very well done from a technical standpoint and a recording standpoint, but the interpretation was so patently obvious in it's choices that I found it completely boring. Oh, it was "exciting" in that he played fast and with power when needed, but rather every point, every decision about how to play the music, was plain and obvious, and thus (since I already know the music well), boring, despite the syrupy romanticism they embedded in every bar.
I think the performance that actually pushed me over the edge with regard to Rach is the Wild PC recordings. They were very well done from a technical standpoint and a recording standpoint, but the interpretation was so patently obvious in it's choices that I found it completely boring. Oh, it was "exciting" in that he played fast and with power when needed, but rather every point, every decision about how to play the music, was plain and obvious, and thus (since I already know the music well), boring, despite the syrupy romanticism they embedded in every bar.