Raal Ribbon Headphones - SRH1A
Nov 1, 2020 at 7:01 PM Post #2,896 of 7,847
I think you said it well with “differentiates instruments”. I’m not sure if it’s a timbral thing or just spatial presentation, but instruments and voices sound especially distinct from one another through these. I really enjoy it, but it makes for engaging listening.
 
Nov 1, 2020 at 7:46 PM Post #2,897 of 7,847
I bought these in Canada:
https://www.amazon.ca/gp/product/B07FQQ776S/ref=ppx_yo_dt_b_asin_title_o00_s00?ie=UTF8&psc=1

@MrCypruz linked me to this one in the US:
https://www.amazon.com/dp/B07Z2VDTCJ/ref=cm_sw_r_cp_api_i_ENkMFbE01243V

No tools needed except a flathead screwdriver or anything similar to gently pry out the fuse holder above the IEC socket on the rear.
Thank you very much. I've ordered (stateside) those fuses you used. I await my email form Danny to confirm.
Thanks again.
 
Nov 2, 2020 at 1:26 AM Post #2,898 of 7,847
For me overall, yes. There are aspects of the other two I prefer for some genres, like the sheer bass scale and presentation of the TC or the liquid holographic mids of the Susvara, but neither sounds as realistic as the SR1a.
@julien-hifi put it perfectly, it sounds "live and alive" compared to the other two, which sound like 'just' excellent headphones.

Wow amazing. Anyone else compare susvara and TC to raal ?
 
Nov 2, 2020 at 2:19 AM Post #2,899 of 7,847
Wow amazing. Anyone else compare susvara and TC to raal ?
I have all 3. I think the TCs and Susvaras benefit from a better selection of amplification options. With the Sr1as, you have to use the connector box, the JotR or the HSA-1b. You just simply have more options to pick from to help facilitate the type of sound you wish to create with the TCs or Susvaras.

The TCs and Susvaras scale up extremely well with better and better amps. That does not happen with the SR1as, or at least not as much. Hopefully amp makers will create new ribbon amps (kind of like they do with electrostatic headphones). I think if that happens, the SR1as could finally reach that “next level” the Susvaras and TCs can reach

Full disclosure: I still need to listen to the HSA-1bs. Hopefully that will happen relatively soon. So, take with that what you want.
 
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Nov 2, 2020 at 7:01 AM Post #2,900 of 7,847
I currently have the SR1a + Jot R, 1266 Phi (with current ear cup pads and new headband) + Formula S + Powerman, and the HD800S that I drive with a custom hand-built OTL tube amp.

I evaluated the the TC for 2 weeks in home against my Phi in Jan 2019. While it was an improvement in some areas it wasn't sufficient (for me) given the loss on resale and re-purchase as I had an early Phi that was not upgrade-able. I just returned to the Phi after several months of nothing but a steady diet of SR1a and HD800S. I have 4 different cables for the Phi and while I found each different from one another it was pretty easy for me to rank them to my personal taste and my overall impression was one of a dark sound overall. Plenty of bass but I'm not a bass is everything person and my music choices are classical and some mostly acoustic Jazz. With regards to deeper bass frequencies, as long as my chain of source, electronics, cables, and transducer can get the sound of bass drum, tympani, double basses, and a few other instruments, to sound correct per the acoustics of the recording venue, I'm good (and I'm not a pipe organ guy either so...).

My HD800S with the right amplification is something special for full bodied sound with air, and sound staging, but not the last word in detail and transparency, but I find it very satisfying to listen to with my music. I had a Utopia and it was very good but sound stage was not the best and the real clincher was the ear cups were just a bit too small for my large-ish ears. After almost 5 years into head phone audio as a primary music source I decided that no matter how good a transducer sounded, if there was a comfort issue I could not address it would be a no go for me going forward. (With time I able to address any comfort issues with the Phi and SR1a so extended listening sessions with any of the three is no problem).

Having owned large ribbon speakers in the late 90's and early 2000's (before downsizing and retiring) I suspected the SR1a could be just the ticket when it was first announced. It's all about the speed of response to the signal. Detail is unparalleled in my opinion compared to all other types of drives except electostatics. But with a dipole design I also knew that bass "oomph" would be affected, especially given the variability of source recording quality. To that end I run Jot R in both balanced and SE (with Loki, some recordings need it-some don't), simultaneously and switch between the two depending on the recording. I have run Loki's 20Hz knob at full with no problems, "but", I listen at what I consider to be the best volume level to encompass the extremes of the frequency range's dynamic levels without distortion per the recording's SQ, and I believe that there is no comparison with the un-distorted volume levels attainable in the concert hall. But still, it's no concert hall in your home, no perfect sound forever. Even with Loki in the chain the ribbon still can not give the push of air pressure against the tympanic membrane one can experience with dynamic or planar drivers (or that one experiences in the concert hall).

While I am anxious to hear the HSA-1b I'm going to hang fire for awhile. While general consensus seems to be of a warmer, richer sound, the bass may not be as detailed with it as with Jot R. Eventually I'll most likely get round to it or someone will develop another direct drive option for this phone. I've considered, and may get round to, putting one of my various tube HP amps as a preamp in front of Jot R some time, but I always prefer the simplest, most straight forward approach to my music reproducing chain.

But, those are just my thoughts and opinions. Others with different tastes, personal preferences, and focused on other music genres most likely will hear it differently.
 
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Nov 2, 2020 at 11:47 AM Post #2,901 of 7,847
Concessions need to be acknowledged with the SR1a. It may do bass satisfyingly competent up to many other TOTL phones, however, it will never compete with the best planars -- notably the 1266 TC. Contrasting those traits, no planar or dynamic or stat will ever get to the level of open-realism of the SR1a -- at least not without help of complex DSP.

And no amplifiers are going to bridge this gap. The SR1a simply serves as the most complimentary to your FOTM.
 
Nov 2, 2020 at 2:06 PM Post #2,902 of 7,847
I have all 3. I think the TCs and Susvaras benefit from a better selection of amplification options. With the Sr1as, you have to use the connector box, the JotR or the HSA-1b. You just simply have more options to pick from to help facilitate the type of sound you wish to create with the TCs or Susvaras.

The TCs and Susvaras scale up extremely well with better and better amps. That does not happen with the SR1as, or at least not as much. Hopefully amp makers will create new ribbon amps (kind of like they do with electrostatic headphones). I think if that happens, the SR1as could finally reach that “next level” the Susvaras and TCs can reach

Full disclosure: I still need to listen to the HSA-1bs. Hopefully that will happen relatively soon. So, take with that what you want.
as an owner of the sr1a AND the abyss TC and susvara I must say the sr1a is getting the most playtime recently and is a very special HP...the bass while not as physical and with less grunt than the planars especially the abyss is very accurate....the detail retrieval is spooky at tomes...the soundstage is remarkable and it is incredibly dynamic in a good way....it is different so obviously people will differ in preference but to me it is the most special of the 3 for the moment...I reserve the right to change my mind!
 
Nov 2, 2020 at 2:09 PM Post #2,903 of 7,847
Hello,

just recently I had a very interesting experience regarding the RAAL REQUISITE SR1a which I would like to share with you. Please forgive my not so perfect English, but I am not a native speaker.

Some time ago I made an extensive review of the SR1a on Musicalhead for you. Although the RIVIERA AIC10 undoubtedly offered outstanding musical qualities, I already suspected at the time that under certain circumstances only much more powerful representatives of the amplification guild would be able to make full use of the RAAL in terms of performance.

As a rule, my preferred monitoring volume is in the range of 80 dBA. However, I can easily imagine that some of the Knights of the Grail may also prefer higher listening levels for the fine tones. For this reason, I have been on a new quest for the Grail for some time now, in order to find an optimal playing partner who can drive the SR1a without problems even at 100+ dBA.

And in my listening test I am taking the V110 SE valve integrated amplifier from the German high-end manufacturer OCTAVE under the musical magnifying glass for the first time. At least in its function as a veritable headphone amplifier. OCTAVE has been building tube amplifiers for over 30 years, which, according to the manufacturer, are now just as stable and reliable as corresponding transistor amplifiers.

The various models made by the tube manufacturer from Baden owe their longevity to intelligent control electronics - sophisticated protective circuits guarantee unsurpassed long operating times. And all OCTAVE tube amplifiers are based on high-quality components - from the input sockets to the output transformers, which are developed almost entirely in-house and are carefully handcrafted on site in Karlsbad.

The possibility of regular equipment upgrades also guarantees high value retention and, according to the developer and company founder Andreas Hofmann, guarantees the owners the highest level of music enjoyment using state-of-the-art technology for many years.

In the long run only power rules

The V110 SE is the second largest integrated amplifier in OCTAVE AUDIO's product range after the V80 SE. The Tube-Beau has an enormous output power of 2 x 110 watts into 4 ohms, as 4 KT120 power tubes are used in the power amp section. In combination with a specialised power supply unit and novel output transformers, the peak output power is almost doubled compared to conventional push-pull power amplifiers. The driver stage, which drives and controls the end tubes, thus comes a big step closer to the ideal of the push-pull principle.

The often criticised push-pull principle also does its job without any influence on the sound. As a result the V110 SE convinces with a high linearity and stability, which should make IMO the perfect partner for the RAAL REQUISITE SR1a. But why didn't I choose OCTAVE's top model, the V80 SE, for this listening check right away? Quite simply - the new V110 has a further equipment feature which is probably unique in the tube world at the moment.

Thanks to the innovative circuit and an enormous bandwidth of usable feedback, the electrical damping factor can be adjusted to the Serbian ear loudspeaker in 3 stages. By the easiest change of the corresponding input tubes (ECC82/Low, ECC81/Mid, ECC83/High) a very sensitive adjustment to the electrical load is achieved. The medium version (damping factor 7.2) is already used ex works. It is recommended for playing partners (primarily loudspeakers, of course) with a strongly rising impedance curve in the mid-range. The high version (DF 10), on the other hand, is primarily intended for potential partners, who usually use low impedance in the mid and high frequencies.

Finally, the ECC82 driver tube for the lowest attenuation factor (5) represents the most sensible option if the transformed candidate tends to be rather harsh due to overly tight diaphragm control. Since the conceptually integrated resistor network of the SR1a is hardly subject to fluctuations in load impedance and is therefore at a nearly constant 6 ohms, I prefer the latter variant for my listening check, even on a purely emotional level.

With its output power of 2 x 110 watts into 4 ohms, the OCTAVE V110 SE also meets the performance requirements of the Serbian manufacturer fairly accurately. And the German tube amplifier does not show any nakedness whatsoever on the SR1a in the following sound test. My listening test is played back using my tried and tested AURALIC set, consisting of ARIES G1 and VEGA G1, which are connected to each other via USB using a TELLURIUM Q ULTRA SILVER digital cable.

A handmade DOLPHIN BLACK GOLD chinch cable provides the adequate supply line to the OCTAVE tube amplifier. Incidentally, products from the American cable manufacturer SHUNYATA RESEARCH serve as first-class power supply lines. For the tonal assessment of my new test candidate, the usual suspects are of course once again used - listening examples from the fields of rock, pop, blues, jazz and classical music, which I am very familiar with, saved as high-res files on the corresponding hard disk.

Perfect playing partner for the RAAL

After a few nightly listening sessions I decided, as expected, in favour of the ECC82 preamp tube, as the V110 SE with the lowest possible electrical damping in combination with the SR1a is in my opinion the most harmonic. Especially in terms of (fine) dynamics the RAAL REQUISITE SR1a in combination with the V110 SE IMO sets new standards in the headphone segment. The extremely confident OCTAVE integrated amplifier truly drives the Serbian ear loudspeaker to maximum performance.

Due to the exorbitant speed of the full-range ribbon-equipped ear loudspeaker, volume and speed changes are so lightning-fast that sometimes I actually feel like I'm in the corresponding live event. Unbelievable. No headphone I know of is currently able to follow complex musical signals with such immediate impulse fidelity. Of course, this is basically no different with a RIVIERA AIC10, but at somewhat more moderate volume settings, which I usually maintain.

At monitoring volumes >85 dBA, on the other hand, coarse dynamic jumps with the RIVIERA appear slightly limited in direct comparison to the OCTAVE. In particular, bass impulses are given considerably more pressure and precision by the German tube amp. The reproduction in the low bass range also appears more confident overall if higher levels are preferably used.

And although the SR1a in combination with the V110 SE does not quite reach the low frequency volume of a HIFIMAN SUSVARA or ABYSS AB1266 PHI TC, the bass reproduction of the RAAL offers highly audiophile qualities. Especially the transient response is perfect despite the relatively low electrical damping of the OCTAVE. In the mid-range, the tube-reinforced integrated amplifier is convincing with its extraordinarily natural sound colours, regardless of the Russian KT120 TUNG SOL tubes used. Voices and instruments are placed in the musical context in an airy and, as it were, sharply altered manner, without lacking sufficient substance in the basic tone.

Even though the RIVIERA AIC10 gives it a little more plasticity and is also slightly more spacious, the V110 SE nevertheless plays at the highest level in the sound-sensitive midrange. Due to the low damping factor, however, the high notes are also reproduced without undue harshness, although the V110 SE cannot quite match the phenomenally silky high frequency reproduction of the RIVIERA AIC10.

Nevertheless, the sibilant reproduction via the German tube amp is quite relaxed - good source material is a must. And the OCTAVE V110 SE, in combination with the RAAL REQUISITE SR1a, also impresses with absolutely impeccable detail work, a fantastic resolution and very realistic reverb vanes. Once again a world class performance of this truly excellent playing partner pairing.

Unfortunately, the inclined Grail knight of fine tones has to dig deep into his pockets for this extraordinary tonal performance. As expected, the OCTAVE Pretiose is not available at a bargain price. 6.999,- Euro will be sold by the dealer of confidence in Germany if you want to use your RAAL headphones with a V110 SE tube amplifier in the future. Nevertheless, I explicitly recommend every owner of an SR1a to subject the OCTAVE V110 SE to an extensive acoustic inspection if a new acquisition is planned - and the estimated budget allows it.

Yours Fidelio

Octave Audio V110 SE (klein).jpg
 
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Nov 2, 2020 at 8:14 PM Post #2,904 of 7,847
I have all 3. I think the TCs and Susvaras benefit from a better selection of amplification options. With the Sr1as, you have to use the connector box, the JotR or the HSA-1b. You just simply have more options to pick from to help facilitate the type of sound you wish to create with the TCs or Susvaras.

The TCs and Susvaras scale up extremely well with better and better amps. That does not happen with the SR1as, or at least not as much. Hopefully amp makers will create new ribbon amps (kind of like they do with electrostatic headphones). I think if that happens, the SR1as could finally reach that “next level” the Susvaras and TCs can reach

Full disclosure: I still need to listen to the HSA-1bs. Hopefully that will happen relatively soon. So, take with that what you want.

Wait why can't you connect raal to a speaker amp via the connector box? Why are you limited to JotR or HSA1b ?
 
Nov 2, 2020 at 8:21 PM Post #2,905 of 7,847
Wait why can't you connect raal to a speaker amp via the connector box? Why are you limited to JotR or HSA1b ?
The connector box and JotR are the bottlenecks. I have a nice preamp that feeds the JotR, but it barely makes a difference. I used a wa33 for a preamp to the JotR and I liked the sound.

I got the wa33 elite now, and also use it to feed my JotR. There was no noticeable difference in the sound quality. My TCs and Susvaras leveled up with the new amp, but the Sr1as didn’t. So, the JotR is the bottleneck from my experience.

I don’t have any high end speaker amps, so I can’t speak to that, but others have mentioned that the connector box is a bottleneck, no matter the quality of the speaker amp.
 
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Nov 5, 2020 at 6:31 PM Post #2,906 of 7,847
The SR1a is pretty amazing. However, my one big disappointment is that the left side has issues: 1. it hits excursion limits before the right side does, and 2. the lower end of the bass range is louder, resulting in all lower bass being shifted very noticeably to the left. Both of these things happen no matter which of the two ribbon drivers is on which side, and I have verified that issue 2 is not due to my hearing because I do not hear that shift with other headphones that go that low. I am planning to go ahead and eq this problem out with Equalizer APO, utilizing a tone generator to find where the imbalances actually are, because this is the only major complaint I have about this headphone.

I will have more detailed impressions later - I'm mostly only posting right now because, in a quick direct comparison I've just done, the HD 800 S (driven by a THX 789) sounds muffled and closed-in! The HD 800 S may have a wide and open sound compared to other regular headphones, but the SR1a makes it sound like it might as well be an HD 650!
 
Nov 5, 2020 at 6:49 PM Post #2,907 of 7,847
" no matter which of the two ribbon drivers is on which side "
You swapped ribbons and it stays on the left? I'd contact the dealer. I could only imagine a problem with the housing or connectors on that side.
 
Nov 5, 2020 at 7:25 PM Post #2,908 of 7,847
The SR1a is pretty amazing. However, my one big disappointment is that the left side has issues: 1. it hits excursion limits before the right side does, and 2. the lower end of the bass range is louder, resulting in all lower bass being shifted very noticeably to the left. Both of these things happen no matter which of the two ribbon drivers is on which side, and I have verified that issue 2 is not due to my hearing because I do not hear that shift with other headphones that go that low. I am planning to go ahead and eq this problem out with Equalizer APO, utilizing a tone generator to find where the imbalances actually are, because this is the only major complaint I have about this headphone.

I will have more detailed impressions later - I'm mostly only posting right now because, in a quick direct comparison I've just done, the HD 800 S (driven by a THX 789) sounds muffled and closed-in! The HD 800 S may have a wide and open sound compared to other regular headphones, but the SR1a makes it sound like it might as well be an HD 650!
makes no sense and no way that is proper...
 
Nov 5, 2020 at 7:35 PM Post #2,909 of 7,847
OK, I'm going to be returning the SR1a next week.

Trying to fix the bass issue is a big headache - it goes beyond just eq'ing out the problem. This is unacceptable. I think a lot of the "detail" I was hearing in the bass was distortion.

EDITED TO UPDATE: I was hasty. I'll try contacting RAAL about my issue, first, since I'm under warranty.
 
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Nov 5, 2020 at 7:49 PM Post #2,910 of 7,847
Just another quick thought, when I first got my SR1a I wasn't fully seating the mini-plug thingy (TRS?) in the base of the left wing. I even had it fall out a few times because I wasn't seating it properly. Enough to make a connection but not enough to get equal volume with the right. I would just snug it up pushing up on the connector and pushing down on the top of the wing and the sound would pop on and balance with the right channel. I think I was just being too tentative with that wimpy little pin (in case you haven't guessed, I really don't like that style of connector). But in a week or two I started slamming it in and I haven't had one issue since then.
 
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