Here is a slightly alternative take on the Anole VX. Actually not that much of an alternative take, but another data point for anyone interested in the VX.
VX is a neutral IEM with respect to its overall signature. But it does carry some brightness in its signature due to a slightly bright upper-mids and treble. But calling the IEM bright would not be correct. I guess you could say the tone of the IEM is neutral-bright. So if you are like me, who prefers a neutral-warm sound, VX may be a bit bright for you and fatigue might settle in sooner or later, as it is not a very forgiving IEM. While at the same time, it is not adamantly unforgiving either. Meaning, with well recorded tracks and a smooth sounding source, it’s going to sound quite forgiving. Also, don’t confuse brightness with leanness, as VX is not lean sounding. If anything, VX’s midrange is full bodied with a touch of brightness in the upper registers. It is tuned with clarity in mind than emotion. As result, the transparency and realism in the midrange is extremely high and noteworthy. This makes the VX an excellent reference monitor. If I was a recording engineer, I would pick the Anole VX over many TOTL IEMs I have tried so far (U10, U12, U18t, Fourte, Layla, Zeus, Phantom, Legend X, Andro, W900, K10, Katana, NT6, Samba), as it is the most correct and accurate sounding IEM in my books, except for that slight brightness.
Bass is a typical well-done BA type bass, with a priority on technicalities than impact. But flipping the bass switch tilts the scale on to the impact side. As you would expect with a BA bass, it is taut and quick in decay. But the increase in impact makes up for it. I like to leave the bass switch in the ON position, as it adds a certain fun factor. Which reminds me, VX is also very versatile with the genres. For genres like pop and electronic, the bass switch helps add a healthy, yet clean bass boost. I tried the Mid and Treble switch and it makes the IEM even more aggressive. People who love an energetic or aggressive sound would really love the VX. But people who prefer a laidback sound, VX would be a bit overwhelming even with all switches in the down/Off position. As for the soundstage, it’s a cube shaped stage with the priority for depth over width. So the soundstage may not come across as super spacious. But it is quite large stage that is adequately airy. As the resolution of the IEM is quite high, instrument separation, layering and imaging precision are effortless. The placement of instruments is a bit forward, which contributes to the IEM having the energetic/aggressive character.
While the VX is very versatile of music genres and mightn’t also work for movies, it’s not an IEM I would pick for gaming. It’s not that it won’t work for games, but I’d rather go for something like the IE80. Compared to the LCD2C, VX is going to be a bit more aggressive, softer in the bass, less warm in the midrange and may be just a hair brighter in the treble. VX might come across as having more details. But 2C has a more natural presentation. I would pick the 2C any day over the VX, if it weren’t for the hefty weight of the headphone.
I would say that's an accurate assessment. Are you happy with the purchase? Sounds like you are a bit on the fence. I like a more forward energetic sound so I have been using mine w/ treble/mid switches on and bass off. It sounds great to me!