RichardS
New Head-Fier
- Joined
- Jun 15, 2005
- Posts
- 5
- Likes
- 10
Thanks Mark...I wish the 'pro' reviewers would show some guts and compare and contrast in the same way you have...
I'm mostly a lurker here (no headphones--yet, anyway) but I've been on a similar quest this year and have experimented with 20+ cords, mostly in the $500-$1500 range, but not usually keeping them all around to compare. Once I'd find a cord I liked better than the one I had on a given component, it got replaced and the other sold.
I haven't heard the Wolff Silver-Carbon Source (but may have to try it). I presently use a Wolff Carbon Source on my Genesis Lens. When I first got it, I put it on my Tact 2.2x, where it really impressed me...really smooth, sweet, quiet and dimensional, providing a great sense of ease. It has since been replaced by a Concierto Violin which just does everything a little better and injects (lets through?) a little more life and presence.
Impressed with it, though, especially for the $$, I got a Gain cord to try with my Tact amp, but it just didn't do it here--sounding less focused and the detail was a litttle smeared compared to the Foundation Research LC-2 that resides there.
I tried it on my transport, but the Electraglide Statement 2 Rev rules there, letting everything through, top-to-bottom, so for now it stays on the Lens where it's a nice match, and seems to slightly soften the very slight etch here.
I haven't tried the VH Flavor 1 or 2, but do have an Airsine, and agree with Jon about trying it. It's found a home on my AM Stealth, so it's affecting my whole front end (2 transports , 2 jitter boxes and pre). I have another Concierto on the way and will compare it here, but so far it's worked better here than anything else I've tried--open, airy and dynamic.
A couple other lesser-known cords that I've really enjoyed IMS are the Von Gaylord Chinchilla and the HMS.
And I agree that PCs can make as big or bigger contribution than IC or speaker cables.
Keep up the good work...
I'm mostly a lurker here (no headphones--yet, anyway) but I've been on a similar quest this year and have experimented with 20+ cords, mostly in the $500-$1500 range, but not usually keeping them all around to compare. Once I'd find a cord I liked better than the one I had on a given component, it got replaced and the other sold.
I haven't heard the Wolff Silver-Carbon Source (but may have to try it). I presently use a Wolff Carbon Source on my Genesis Lens. When I first got it, I put it on my Tact 2.2x, where it really impressed me...really smooth, sweet, quiet and dimensional, providing a great sense of ease. It has since been replaced by a Concierto Violin which just does everything a little better and injects (lets through?) a little more life and presence.
Impressed with it, though, especially for the $$, I got a Gain cord to try with my Tact amp, but it just didn't do it here--sounding less focused and the detail was a litttle smeared compared to the Foundation Research LC-2 that resides there.
I tried it on my transport, but the Electraglide Statement 2 Rev rules there, letting everything through, top-to-bottom, so for now it stays on the Lens where it's a nice match, and seems to slightly soften the very slight etch here.
I haven't tried the VH Flavor 1 or 2, but do have an Airsine, and agree with Jon about trying it. It's found a home on my AM Stealth, so it's affecting my whole front end (2 transports , 2 jitter boxes and pre). I have another Concierto on the way and will compare it here, but so far it's worked better here than anything else I've tried--open, airy and dynamic.
A couple other lesser-known cords that I've really enjoyed IMS are the Von Gaylord Chinchilla and the HMS.
And I agree that PCs can make as big or bigger contribution than IC or speaker cables.
Keep up the good work...