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Popular Classical Music
- Thread starter Light - Man
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Head1
Headphoneus Supremus
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^ interesting to see Kevin Loh, guitar..... as the page turner!
Improvisation on Goldberg Variations - Bach for 3 harpsichords
Ana Clara Miranda, Carlo Arruda, Eduardo Antonello
Improvisation on Goldberg Variations - Bach for 3 harpsichords
Ana Clara Miranda, Carlo Arruda, Eduardo Antonello
Head1
Headphoneus Supremus
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Head1
Headphoneus Supremus
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Schubert - Winterreise: Der Leiermann
(The hurdy-gurdy man)
Voice: Philippe Sly, Guitar: Adam Cicchillitti
(The hurdy-gurdy man)
Voice: Philippe Sly, Guitar: Adam Cicchillitti
Khachaturian - Spartacus ballet - Adagio
Angelo Rondello, piano
Angelo Rondello, piano
Head1
Headphoneus Supremus
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Dvorak - Romantic Piece, Op.75, B.150 - 1. Allegro moderato
Akiko Suwanai , Boris Berezovsky
Akiko Suwanai , Boris Berezovsky
Head1
Headphoneus Supremus
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Leo Smit - Divertimento
Lucas & Arthur Jussen
Lucas & Arthur Jussen
Head1
Headphoneus Supremus
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Anton Rubinstein - Melody in F
Bion Tsang, Cello
Cecilia Lo-Chien Kao, Piano
Bion Tsang, Cello
Cecilia Lo-Chien Kao, Piano
Head1
Headphoneus Supremus
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Raketen
Headphoneus Supremus
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Ashley Bathgate from Bang on a Can playing Cello Counterpoint for Cello and Multi-Track CD by Steve Reich (... have to remember this one for whenever someone gets snooty about popstars that perform with backing tracks )
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Raketen
Headphoneus Supremus
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That was like the acapella mash-ups they do in those Perfect Pitch movies but with just one song lol... all the switch-ups almost reminiscent of this variation from Ben Johnston.
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Light - Man
Headphoneus Supremus
Fluting around in the forest may not be in everyone's groove........
Tchaikovsky - Manfred Symphony
Frankfurt Radio Symphony
Vasily Petrenko, conductor
00:23 - I. Lento lugubre - Moderato con moto
16:22 - II. Vivace con spirito
26:10 - III. Andante con moto
38:52 - IV. Allegro con fuoco
Written between the fourth and fifth symphonies, Tchaikovsky’s programmatic Manfred Symphony, inspired by Byron’s dramatic poem of the same name, contains some of the composer’s most thrillingly orchestrated music and best tunes. For Tchaikovsky, as for Byron, Manfred represented the figure of the outsider, an outcast from society. The first movement depicts Manfred at midnight in a Gothic gallery in his Alpine castle, seeking self-oblivion and haunted by memories of lost love. The second movement evokes the spirit of the Witch of the Alps, appearing in a rainbow through the spray of a waterfall, while in the third movement a chamois hunter offers Manfred what little comfort he can. In the final movement, set in a subterranean hall of Evil, in the form of a globe of fire, Manfred welcomes his coming death as the end of his suffering.
Frankfurt Radio Symphony
Vasily Petrenko, conductor
00:23 - I. Lento lugubre - Moderato con moto
16:22 - II. Vivace con spirito
26:10 - III. Andante con moto
38:52 - IV. Allegro con fuoco
Written between the fourth and fifth symphonies, Tchaikovsky’s programmatic Manfred Symphony, inspired by Byron’s dramatic poem of the same name, contains some of the composer’s most thrillingly orchestrated music and best tunes. For Tchaikovsky, as for Byron, Manfred represented the figure of the outsider, an outcast from society. The first movement depicts Manfred at midnight in a Gothic gallery in his Alpine castle, seeking self-oblivion and haunted by memories of lost love. The second movement evokes the spirit of the Witch of the Alps, appearing in a rainbow through the spray of a waterfall, while in the third movement a chamois hunter offers Manfred what little comfort he can. In the final movement, set in a subterranean hall of Evil, in the form of a globe of fire, Manfred welcomes his coming death as the end of his suffering.