Popular Classical Music
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Luis Mad
Headphoneus Supremus
Serenade No. 1 - J. Brahms - Dir. Yehudi Menuhin - OSRTVE
Quinto
Headphoneus Supremus
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Mr Trev
Headphoneus Supremus
Time for my quarterly post
Mari Samuelsen. New album (Lys) out this week
Mari Samuelsen. New album (Lys) out this week
Light - Man
Headphoneus Supremus
Dong Hyek Lim & Martha Argerich play Rachmaninov: Symphonic Dances, Op. 45
Luis Mad
Headphoneus Supremus
Gustavo Dudamel: Bach - Brandenburg Concerto No. 3 (YOLA - Youth Orchestra Los Angeles)
Christer
Headphoneus Supremus
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Mas Maria Duenas!
I found this one today, sorry if it has already been posted here.Manfred Honeck & María Dueñas: Max Bruch und Antonín Dvořák | NDR Elbphilharmonie Orchester - YouTube
Cheers CC
I found this one today, sorry if it has already been posted here.Manfred Honeck & María Dueñas: Max Bruch und Antonín Dvořák | NDR Elbphilharmonie Orchester - YouTube
Cheers CC
Luis Mad
Headphoneus Supremus
Many thanks Mr Christer! the Elbphilarmonie must be an amazing building. I hope to visit someday!
Christer
Headphoneus Supremus
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Me too.
I have not been to Hamburg since many years and it would be nice to hear a concert there.
Cheers CC
this ver. mov 2 is still best for me ( for my ex wife and our old grand ma(s) n pa(s) who fought for us all mankind.
Luis Mad
Headphoneus Supremus
Franz Schubert: "Große" C-Dur-Sinfonie mit Günter Wand (1995) | NDR Elbphilharmonie Orchester
Luis Mad
Headphoneus Supremus
Alondra de la Parra shows teenagers the world of classical music | Musica Maestra
Light - Man
Headphoneus Supremus
Last night's Friday concert from the NCH, Dublin (20 May 2022).
NSO: Clara Schumann & Brahms
Gerhard Markson, conductor
Alexandra Dariescu , piano
Jennifer Davis, soprano
Ben McAteer, baritone
National Symphony Chorus (Chorus Director: David Young)
Presented by Paul Herriott, RTÉ lyric fm
Clara Schumann Piano Concerto
Brahms Ein deutsches Requiem
Brahms’ Ein deutsches Requiem is a beautiful, stirring and heartfelt expression of loss that offers comfort to the living even as it laments the dead. Dwelling on the hope of Resurrection rather than the fear of Judgement Day, Ein deutsches Requiem was begun as a memorial to Clara Schumann’s composer-husband, Robert, and completed following the death of Brahms’s mother. It is a sublimely moving Requiem like no other.
With no strong faith of his own, Brahms’s use of texts from the Lutheran Bible sets his Requiem apart, just as his focus on the living creates a uniquely profound experience. At its heart is a radiant choral passage that replaces expected fire and brimstone with warming consolation to movingly suggest that love survives even death.
Light and shade is also intermingled in Clara Schumann’s only Piano Concerto. Composed when she was just 14, it’s a work of affecting poetry and passion, the vibrantly full and dramatic orchestral accompaniment brilliantly framing heartfelt virtuosic writing for the piano.
Former Principal Conductor Gerhard Markson makes a welcome return and the brilliant young Romanian pianist Alexandra Dariescu makes her National Symphony Orchestra debut with the precocious lyrical power of Schumann’s Piano Concerto.
The National Symphony Chorus and two of today’s finest young singing talents – soprano Jennifer Davis, ‘the epitome of class and poise’ (GoldenPlec), and ‘simply brilliant’ (Planet Hugill) baritone Ben McAteer – join the National Symphony Orchestra for Brahms’s Requiem.
Presented by National Symphony Orchestra
Jennifer Davis, soprano
NSO: Clara Schumann & Brahms
Gerhard Markson, conductor
Alexandra Dariescu , piano
Jennifer Davis, soprano
Ben McAteer, baritone
National Symphony Chorus (Chorus Director: David Young)
Presented by Paul Herriott, RTÉ lyric fm
Clara Schumann Piano Concerto
Brahms Ein deutsches Requiem
Brahms’ Ein deutsches Requiem is a beautiful, stirring and heartfelt expression of loss that offers comfort to the living even as it laments the dead. Dwelling on the hope of Resurrection rather than the fear of Judgement Day, Ein deutsches Requiem was begun as a memorial to Clara Schumann’s composer-husband, Robert, and completed following the death of Brahms’s mother. It is a sublimely moving Requiem like no other.
With no strong faith of his own, Brahms’s use of texts from the Lutheran Bible sets his Requiem apart, just as his focus on the living creates a uniquely profound experience. At its heart is a radiant choral passage that replaces expected fire and brimstone with warming consolation to movingly suggest that love survives even death.
Light and shade is also intermingled in Clara Schumann’s only Piano Concerto. Composed when she was just 14, it’s a work of affecting poetry and passion, the vibrantly full and dramatic orchestral accompaniment brilliantly framing heartfelt virtuosic writing for the piano.
Former Principal Conductor Gerhard Markson makes a welcome return and the brilliant young Romanian pianist Alexandra Dariescu makes her National Symphony Orchestra debut with the precocious lyrical power of Schumann’s Piano Concerto.
The National Symphony Chorus and two of today’s finest young singing talents – soprano Jennifer Davis, ‘the epitome of class and poise’ (GoldenPlec), and ‘simply brilliant’ (Planet Hugill) baritone Ben McAteer – join the National Symphony Orchestra for Brahms’s Requiem.
Presented by National Symphony Orchestra
Jennifer Davis, soprano
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