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Originally Posted by jpelg /img/forum/go_quote.gif
I'd like to see a more Grado-centric amp. That is, something for the low-impedance camp (Grado, Audio-Technica, Ultrasone, etc.) that don't require so much voltage as current. More & more headphones being made these days are much lower in impedance than Sennheiser HDxxx's, or the older classic 600-ohm AKG's.
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Agreed, this is a niche which definitely needs to be exploited, at least on the tube side. It seems like everyone who makes a tube amps ends up building an OTL design of some sort which is great for Sennheisers and other high impedance headphones, but ends up falling short when asked to drive Grados. As far as I know there's maybe one tube amp in existence (the Moon Audio Luna) which can be considered as a high-end amp for Grados and other low impedance 'phones. The Grado amp market is practically empty compared to the oceans of choices available of Sennheisers.
Personally I'd go after the market at two price levels; something relatively affordable and the all out cost no object solution. At the value oriented end of the spectrum, I'd consider a single-stage amp based on the
6C45Pi, something along the lines of the
Espressivo minus the costly multi-tapped autoformer. Since it's only for low impedance headphones, an autoformer with a single 40 or 50 Ohm tap can be used instead, with the multi-tapped autoformer becoming an upgrade option for those who need it. Also, instead of the hybrid tube CCS, a simpler solidstate version can be used which also simplifies power supply design.
At the high end of the scale, I'd like to see an all DHT amp for Grados. Using current production tubes, an amp can be built using the
Emission Labs 20B as the input and a 2A3 or possibly 300B as the output. Use LC coupling to provide a low DC resistance path to ground since power triodes can draw grid current before the grid gets anywhere near 0V wrt the cathode. The low DCR path to ground drains away the current before it can build a charge on the capacitor and screw up the signal, and it also allows the amp to recover a lot faster & cleaner from momentary overloads. For the same reason, I'd also use a transformer or autoformer volume control on the front end. CCS plate loads on all the tubes, LED bias on the 20B, and a parafeed output for the 2A3 with a nice cobalt transfomer, I think that about covers my wish list.
The value-oriented version should be quite popular. Other than the MAD Ear+ there's practically nothing being marketed towards Grados. The Moon Audio Luna is practically unknown so the field is pretty much wide open & waiting to be filled. I'm betting there's a lot of people out there with Grados & other low impedance headphones who'd love to have a well-performing tube amp.
The all-out version is admittedly a pipedream, it would easily cost more than the Balanced Max with all the options. It would require a 2-chassis design and with all the iron inside it would be really big & heavy. I frankly wouldn't be surprised if you could count the yearly unit sales on one hand.