natalieann
100+ Head-Fier
- Joined
- Jul 23, 2015
- Posts
- 427
- Likes
- 254
You can pinpoint it, the signature has rolled off treble and warmed up upper mids. Those would be some critical frequencies to fix up. The fact that you really like the PM3 with this music strongly suggests that while you may think you like distorted guitars, you really don't, or at least not as raw as they can be presented. I have spent my life with hard rock and metal, came of age in the 80s, but once you turn it up, those overdriven guitars become a very unpleasant wall of noise and suck the bass right out of the music.
I can't stand rock recordings that during melodic passages give you nice thick and chewy bass, but then when the crashing choruses and bridges slam in, all you get is a distorted blast of guitar that makes the music thin and strained with no impact at all beyond screeching highs. Now this isn't always the case, Tool for instance seems to record awesome power passages that are listenable, but in my experience this isn't common. Essentially people like us who like a smoothing signature for rock are considered losers by hard-core fans who think that terrible distortion tolerance is a badge of manhood and courage and the worst thing you could do would be to clean anything up, pure sacrilege. Personally I like the craptastic sounding edge taken off myself.
HMMM....ok