Here’s a question that may seem obvious but I don’t think I’ve ever really seen answered.
Why is there such a wide difference in price between these headphones?
Drop sells a 6XX for $220 and an 8XX for $1100. That’s literally five times the price. Why such a huge differential? Does it cost five times more to build? Was R&D an order of magnitude more expensive? Or is this more of an ostentatious good type of thing, where the price is simply that much higher as a sort of artificial price differentiation to create a sort of halo effect around the truly high end?
This sort of applies across the headphone world. I mean, I can understand when you have a small company like Abyss, they need to charge a lot because they use high quality machined materials and they don’t have an economy of scale, meaning their marginal costs are very high.
But Sennheiser is a large company with a large supply chain. The 6XX seems like a pretty well made product already, so as someone who hasn’t spent much time at all with the 8 series, how is it possible that they are 5+ times as expensive? That’s a massive difference.
Good question. I've heard variations of this question before. I think it boils down to listener expertise. At some point, some listeners transform into audiophiles. What's the difference? It's probably easier to show than to explain. Your 6XX vs 8XX is a solid starting point.
I own neither the 6XX nor the 8XX, but I do own the original 600, 650, and 800 (minus the S). I have an 8XX on order. It was supposed to arrive in early Oct but the ETA is now mid-Oct. But I think I can still answer your question based on these three Senns.
Of the three, I like the 600 for single-ended use and the 650 for balanced. The additional 6-to-10 dB gain via balanced clears up the veil in the 650. The balanced 650 is best with rock and tubes.
The 800 is more like the 600, but its smoother with a vast soundstage, accurate imaging, consistent placement, and textured dynamics across the full response curve. In comparison, the 600 is more intimate, more up front, as though you're in a small studio rather than a vast auditorium. They're best with solid-state rigs. The 800 is equally effective single-ended or balanced, but I prefer it balanced.
The 800 is analytical. It's for serious listening to pick up all the nuances of a recording. The better the recording, the better the experience. GIGO. It's for those who want to hear bass that's clear and punchy rather than bone-rattling loud. The same goes for mids and highs, with clarity and accuracy the main criteria.
The point here is that there's a dfference between anaytical and enjoyable listening. I think most audiophiles straddle both worlds and have rigs for both. Analytical has its own enjoyment, but it may be too intense for relaxed and enjoyable listening.
Is it worth the additional cost to be able to deep dive into your favorite recordings? For some, it is. The 800's accuracy and clarity are worth the price. For others, enjoyment is the goal, and the additional cost is not worth the increased accuracy.
I'm guessing that EQing an 800-series headphone runs counter to its strength or original design. It's like customizing a violin so it'll sound more like an electric guitar. Why not just buy and electric guitar? The same goes for using the 800-series with tubes. Tubes are warm and rich, but they're not analytical. The 800 is out of its element in tubes.
I'm getting the 8XX to see if it can bridge the gap between analytical and enjoyable. I think many others are doing the same. I won't know until I have it on my head. If it succeeds, it's a keeper.