What a wonderful meet! CEE TEE, you and Susan did a really standup job of running one of the best enthusiast events I've ever seen. I can't believe it was free, though it seems like plenty of us bought raffle tickets to support the cause.
It was great meeting some active HFers who I haven't had the chance to speak to in person yet. I finally was able to meet jude, n3rdling, and sachu, who were all extremely friendly, helpful, and knowledgeable people. I wish there was more time to chat, but there was just too much to do!
I'll go into my meet impressions. I went back multiple times to n3rdling and sachu's stations and spent the most time there, as my primary interest are electrostats.
Orpheus/HEV90 (n3rdling): If I only listened to classical and singer songwriters, this would be the cream of the crop, no question. There was an amazing lushness around violin and cello notes, and I got a lump in my throat while listening to Bach. This was the most 'tubey' setup I've ever heard, but there was none of the associated negatives. I wouldn't characterize it as a neutral setup, but what it did for classical music was just astounding. The Stax sound clinical and detached, even overly analytical, in comparison. The Orpheus didn't do it for me for other genres, but it was just so good with classical, that I can understand why there are may posters who finished their journey here. The really interesting thing was how smooth the Orpheus was across the entire dynamic range. It rendered PPP and PP, suddenly sweeping to F, as effortlessly as I've ever heard from an amp. Even the BH sounded a bit 'stepped' in comparison.
Liquid Lightning (sachu) & Blue Hawaii (n3rdling): This was the big surprise of the meet for me. sachu's Liquid Lightning and n3rdling's Blue Hawaii were my favorite amps at the meet. I'll post a list of thoughts after going between two amps many times. I compared notes with a few people. Some agreed with me, others disagreed quite a bit, so listen to both and make up your mind! I don't think we'll be reading anything definitive anytime soon:
- The Liquid Lightning, despite being a solid-state amp, sounds much more tubey than the BH! The BH, meanwhile, deserves its reputation for being solid state. It epitomized all the sound signature qualities I associate with a KG design (no color added, plays exactly what the recording should sound like, very clean percussion, cleanness throughout all the dynamic ranges).
- The SR009 was unremarkable to me on the BH. I'm convinced the SR009 doesn't require a top-tier amp to drive well, and I did not hear a significant difference going from the GES or the Stax amps I've heard, compared to the SR009 on the BH.
- The O2 shines with the BH. It's obvious that the 323S and GES does not have enough power to drive the O2 to its full potential. The three things I immediately noticed were that: (1) the notes were articulated cleaner on the BH than GES, especially during fast passages like metal (2) the bass felt cleaner and better defined and (3) the dynamic range seemed more smoothly rendered. This is what I wanted the O2 to sound like. Unfortunately, I didn't bring my MK2, but the MK1 sounded great. I prefer the O2 signature over the SR009, and the BH is an amazing amp for O2 lovers.
- The SR009 sounded great on the Liquid Lightning. The bass was full, round, and resonant, dynamics were good, and the soundstage depth felt larger. The O2 did very well too, but the SR009 sounded like the more vibrant and rich headphone on the LL.
- The LL seems like a great solution for people who don't want to mess with tubes, preamps, or their signal chain too much. It was being fed with a humble Cambridge Audio DAC and still sounded great. A lot of people will be able to get a LL and a modest DAC, and be done. I didn't have a large basis of comparison with the BH, but my hunch is the BH is more ruthless and revealing, and n3rdling has a really nice source, which helped quite a bit. I don't think it would have done so well with something more modest behind it.
- I think the preference between the BH and LL will come down to one's favorite stat headphone. Like others, I find the O2 and SR009, while both very Staxey, pretty different in character. The LL sound was rich, open/expansive, full, and resonant. The BH was articulate, clean, controlled, and a bit narrower and focused. I think people will need to listen to both amps with both the O2 and SR009 to make up their minds.
Balancing Act + HD800 (purrin): purrin has done some really nice things with the tubes here. Compared to the last time I heard his BA, the sound a bit more centered (less of the huge soundstage/room thing going on), and the sound is much cleaner and articulated. Even after hearing many other dynamic amps, this is the best one I've heard, though the Liquid Fire was pretty special too. purrin and anaxilus have been doing a lot of experimenting with the BA, and are the Eddie Current gurus in my book. The sound signature is different from the stats, so really, I can't recommend much but for people to listen to it and see if it does it for them. I think a lot of younger listeners would prefer the BA over the BH and LL, as there is a lot of articulation, power, impact, and fantastic bass with the BA.
Liquid Fire + LCD-2 (R2?): Another big surprise for me. I not too fond of the LCD-2, and this is the best I've ever heard the LCD-2. The Liquid Fire helped get rid of a lot of the veil and mud I associate with those headphones. I didn't spend too much time here, but I really liked what I heard. For dynamic lovers looking at the top, they should be looking at a BA or LF.
Apex Pinnacle + HD800: Was a nice setup and I understand now what the Pinnacle gets such kudos. It reminds me a lot of what a dynamic SR009 would be like. Lots of detail here, and it doesn't conceal much, if anything at all.
Eddie Current Super 7 + 2A3: The Super 7 sounded great with the HD600s and RS2s. It wasn't at BA level for me, but at roughly a third of the cost, it's the only thing I've run into at the price range that comes close. The 2A3 also sounded great. I wasn't at this station too long, both both amps did a great job powering the Senns and Grados, and it was difficult choosing a favorite between the two. The way they were tubed, they sounded closer to the Zana Deux than the BA to me. I find EC amps challenging to evaluate since they can change character so dramatically based on tube choice.
Frank Cooter's Stat amp + Lambdas: Not only was this thing gorgeous, but after the Orpheus, this was my 2nd favorite rig at the meet for classical. I've never heard the Lambdas sound so good. Strings were rich and resonant, and I could hear the bow and rosin scraping over the strings without the detail being glaring or excessive. There were people coming around constantly to take pictures of the two amps Frank brought. It's worth coming to a meet just to see and check his amps out.
It was great meeting many of you, and I hope you all had as much fun at the meet as I did!