Yeah but why would the amps fuse magically make the "dirty power" assuming that is a real thing, into clean power ? I just don't understand how a fuse could make any difference but then again I've yet to hear a headphone cable make any sound difference and I've owned a few
As I have come to understand it (and my understanding does change as new data comes forward) the fuse will limit the instantaneous delivery of current during the 'on' cycle of the 60Hz wave form. After all that IS what a fuse does, it acts as a 'limiter' of current in 'extreme' conditions. But unfortunately it also behaves as a limiter during 'normal' operations as well.
This limiting the current flow means that the efficient transfer of energy (voltage and current) at as close to peak amounts, is also comprimised.
Which means the power supply can be thought of as always playing catchup. It will never get all of the power it requires in any given moment during the 'on' cycle of the inrush current. What's more, this catchup is cummulative across 'ON' cycles, because it didn't get all the energy it 'wanted' from the last 'ON' pulse.
This is 'dirty' in the sense that as the fuse 'limits' the current the voltage will also 'sag' slightly, which then in effect makes the demand for even more current to compensate, but it also means that the powersupply demand for its peak voltage is also limited at the very same time.
A tweako fuse can cause less of this limitation of current and voltage so that when the powersupply asks for power the difference between what it 'expects' and what is actually delivered is less.
Thus the powersupply is running at a more optimal level of performance, which by inferrance means the portions of the amps circuits that need full voltage and peak current flow (during musical dynamics) actually have access to a more optimal power delivery situation to that section of the circuit.
And what I've written here is a very simplified view of what is actually going on dynamically inside the various sections of the amp.
It is FAR more complex because during the 'ON' stage the powersupply is seeing a changing voltage and current being supplied to it from the transformer,
AND the powersupply changes it's demand for power (voltage and current) as the music plays (during musical dynamics) during the 'on' cycle,
AND there is 'noise' being generated by the powersupply as it turns 'ON' and then 'OFF' during every pulse of power delivery.
AND as we are pushing the envelope with the desire for greater and greater dynamics, with more internal resolution (more inner details), lowered noise floor requirements, and headphones that can enable us to hear these improvements, well, even a lowly fuse can make a difference. And we can hear these changes assuming there isn't some other choke point obscuring these dynamic conditions.
JJ
ps and while a circuit breaker can eliminate the problems fuses introduce, they can't 'respond' (commit hari-kari) any where near as fast, and they contribute their own set of sonic consequences as well, and around and around we go…
So I opt for tweako fuses as an easy to experiment with solution.