Eee Pee
Headphoneus Supremus
- Joined
- Aug 17, 2005
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An output transformer would work here, but is expensive.
Ragg is twice the price of the Mjolnir…probably some leeway for one?
An output transformer would work here, but is expensive.
Ragg is twice the price of the Mjolnir…probably some leeway for one?
I've been trying to make some headway on the basics of amplifier design, but it's having trouble penetrating my biologist brain. The Mjolnir (circlotron CSPP) topology is described as an inherently balanced design, but the Rag is a circlotron topology with a single-ended output.
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Actually, Ragnarok and Mjolnir are both circlotron-style CSPP topologies, but there's a very simple answer as to why Ragnarok has single-ended output: it uses summers to create them from the balanced signal. Same as Gungnir on its SE outputs. We chose discrete summers rather than output transformers after trying both. Transformers have BIG problems with picking up induced field from the power transformer, and would require active buffers afterwards in any case for any significant power output (or they would double the size of the Ragnarok.)
So, what does this mean?
1. The inherent simplicity of the circlotron topology isn't compromised. It's preserved all the way to the speaker outs and the balanced headphone outs.
2. The SE output won't have the insane capability of the balanced outputs, being limited to only about 3W into 50 ohms. If you're running HE-6s, plan on buying a balanced cable.
3. Now you're getting an idea of the crazy complexity of this design. Don't even get me started on the software, which required the creation of an algorithm to ensure that (a) the amp wouldn't de-bias itself when you're playing dynamically compressed music at high volume, and (b) wouldn't allow any situation where it could go into thermal runaway.
2. The SE output won't have the insane capability of the balanced outputs, being limited to only about 3W into 50 ohms. If you're running HE-6s, plan on buying a balanced cable.
3. Now you're getting an idea of the crazy complexity of this design. Don't even get me started on the software, which required the creation of an algorithm to ensure that (a) the amp wouldn't de-bias itself when you're playing dynamically compressed music at high volume, and (b) wouldn't allow any situation where it could go into thermal runaway.
Jason, if I connect both headphones and speakers to the amp at the same time, will either output be muted? Or does it have some sort of the switch to control?
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Jason, if I connect both headphones and speakers to the amp at the same time, will either output be muted? Or does it have some sort of the switch to control?
You have the choice of running just speakers, just headphones, or both, by holding down the input select switch--it cycles through all three modes.
Jason,
Does the gain selection control effect both the speaker taps and headphone outputs? Been kinda curious how that'd work.
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I've never melted anything down with a software bug. Fun!
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