Jones Bob
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I know the entire signal path will be optimized by Mike. Years ago, he was the first I remember reading about being concerned about SPDIF jitter.
My understanding was that this feature is targeted as a warranty/comfort provision against DOA models - "we have run it for 100 hours and it is working great" - rather than any statement by Bryston to the effect that there is a change in sound quality at x hours.
Some people seem to be interchangeably using "burn in" and "warm up" - I have always considered these separate but related phenomena.
Bryston does this to weed out product that would normally fail in the first few hours of use by a consumer.
Purpose is to reduce warranty costs.
We used to do this with our product when I used to work for a power supply manufacturer, we provided equipment for the Telecom market.
It is typical for most electronic failures to occur:
1. In the first few hours
2. At end of the products life (obviously!)
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As an engineer, a designer, and someone who has worked for several electronics manufacturers and in testing labs, I will tell you that burn-in is done to prevent shipping early life failures and sometimes to ensure components can withstand their rated temperature extremes. It is completed before the gear ships to the end user. I refer you to MIL-STD-833C. In my experience, companies who recommend an end-user "burn-in" period that will somehow "improve" a piece of gear's performance do so mainly because they know their customers expect it. They are pandering to audiophile beliefs, not proscribing a course of sound engineering practice. Operating your gear for 100 or 600 hours only makes it that much closer to end of life failure. Any perceived "improvements" are just that: perceived.
Open box, plug in, enjoy. This is the best "burn in" process one can possibly do.
As an engineer, a designer, and someone who has worked for several electronics manufacturers and in testing labs, I will tell you that burn-in is done to prevent shipping early life failures and sometimes to ensure components can withstand their rated temperature extremes. It is completed before the gear ships to the end user. I refer you to MIL-STD-833C. In my experience, companies who recommend an end-user "burn-in" period that will somehow "improve" a piece of gear's performance do so mainly because they know their customers expect it. They are pandering to audiophile beliefs, not proscribing a course of sound engineering practice. Operating your gear for 100 or 600 hours only makes it that much closer to end of life failure. Any perceived "improvements" are just that: perceived.
Open box, plug in, enjoy. This is the best "burn in" process one can possibly do.
Any update on the hum/buzz in the left channel Purrin?
As an engineer, a designer, and someone who has worked for several electronics manufacturers and in testing labs, I will tell you that burn-in is done to prevent shipping early life failures and sometimes to ensure components can withstand their rated temperature extremes. It is completed before the gear ships to the end user. I refer you to MIL-STD-833C. In my experience, companies who recommend an end-user "burn-in" period that will somehow "improve" a piece of gear's performance do so mainly because they know their customers expect it. They are pandering to audiophile beliefs, not proscribing a course of sound engineering practice. Operating your gear for 100 or 600 hours only makes it that much closer to end of life failure. Any perceived "improvements" are just that: perceived.
Open box, plug in, enjoy. This is the best "burn in" process one can possibly do.
FWIW, I actually listen to my gear during that initial week or so but some don't - their choice - I just dont sprint to a keyboard to give my impressions straight out of the box.
An unwinnable debate, like many in this subjective hobby, but I wonder how Bryston can offer a 20-year warranty on most of the products if spending the first 100 hours running in a new component is going to bring it 'that much closer to end of life failure'. There are people on Audiokarma with receivers and amps from the 70s and 80s which have had nothing more than the caps replaced - in some cases they haven't even done that. if the minimum one can hope for with Yggdrasil is 20-30 years of reliable use, is it too much to ask that new owners give it a week or two before commenting on the sonics ?
........
As for the engineer card, we are talking about a group who routinely disagree about a great many things - that's healthy in the right setting but this isnt the AES and it's not Hydrogen Audio. Unless you're Bruno Putzeys or Nelson Pass, chances are that you're walking in the footsteps of giants rather than making those footsteps yourself. Like many here, I spent most of my working life in front of a computer - at no stage did I feel that made me an authority on software engineering but we had our little geek-out earlier in this thread so I'll leave it there. I dont have a problem with electrical engineers - I've worked closely with dozens over the years - but between this forum and CA there seems to be a lot more of you in this highly subjective hobby than there were prior to the resurgence in personal audio.
An unwinnable debate, like many in this subjective hobby, but I wonder how Bryston can offer a 20-year warranty on most of the products if spending the first 100 hours running in a new component is going to bring it 'that much closer to end of life failure'. There are people on Audiokarma with receivers and amps from the 70s and 80s which have had nothing more than the caps replaced - in some cases they haven't even done that. if the minimum one can hope for with Yggdrasil is 20-30 years of reliable use, is it too much to ask that new owners give it a week or two before commenting on the sonics ?