Podtweaker
100+ Head-Fier
- Joined
- Feb 2, 2007
- Posts
- 317
- Likes
- 10
It's been pretty quite on this thread this week. I have been purposely standing back in regards to this thread as I don't want to appear that I'm trying to dominate the conversation w/ the countless superlatives I've been throwing towards this amp. One thing I have noticed though is the sound is much more relaxed now & its getting to the point were even if I don't recognize the chamber piece or concerto I can pick out the recording label pretty consistently from the "house sound" that the different recording labels normally have. I have two recordings that are definitely not up to par w/ most of my other recordings whose flaws are even more evident as they should be. Oh, one other thing ,which I will mention before I get long winded as I normally do. I decided that my initial change of settings (10k imped & high gain) work better for me. With these settings I'm able to keep my Zunes (more than one) at half volume with no decrease in dynamics & have a very large adjustable range of volume w/ the Zen Head. I know a few other posters received their Zen Heads about the same time mine came. It's your turn fellas, don't make us come knock on your door asking why you haven't checked back in. Good listening & goodnight !(One other thing I should mention As detailed as this amp is it is much easier to detect where the violins are placed in the orchestras as opposed to the violists because you can hear the violinists breatheing . Why you ask? because as we all know violas & violins are actually the same size they just appear to be different due to the fact violinists have larger heads)