Quote:
Originally Posted by slowpogo /img/forum/go_quote.gif
Is there any place in the Max where boutique resistors might work well? I recall someone used Kiwames in their Max but didn't care for the sound. I'm thinking of tantalums, MK-132s or Rikens.
I'm planning on using PRP resistors for most of the amp, but thought maybe some boutiques in the input stage might not be a bad idea.
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Quote:
Originally Posted by el_matto
i believe where people have reported kiwames having a positive impact is on the output stage. i could be wrong though. out of random curiousity, i notice some people use MASSIVE caps in their mhmax, ferraris build for example with those huge black audyn caps. what position are those being used in? and i assume those are those massive russian teflons being used @ CA8?
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I agree with el_matto - I'm not aware of
anyone who did not like the Kiwame's. Now, keep in mind that if the choice is
no resistor on the output vs.
some resistor on the output, the Kiwame may lose in that choice - but probably not otherwise. So, jumpered output resistors will definitely sound superior than say a 75ohm or 100ohm Kiwame. Down around 22-10ohms, the Kiwame may actually help rather than hurt compared to just jumpers. I've heard that the Rikens may be just as good, but we don't have any direct reports - yet. The cheap Stackpole carbon films at Handmade can get you 80-90% of the effect of a Kiwame for about 1/10 the price.
The output positions are the only place on a MAX where boutique resistors may make a difference. PRP or V-D's are as good as it gets for the rest - excluding the three LED resistors. Nothing more than simple carbon films should be used there.
Ferrari (pardon my speaking for him, here) pursues the principle that any electrolytic in the signal path is bad. So, he chooses to make combinations of film capacitors in parallel that add up to the capacitance of the electrolytic output coupling caps. For instance, in the original Millett Hybrid, he tied together enough film caps to total 470uf - the banks of film caps were larger than the rest of the amp. The Audyns he's using in his MAX follow the same priniciple. It's just that he was able to get the Audyns in much larger sizes so that it only took two or three - or however many it was.
Again, he is using them in the CA7 position instead of the 470uf electrolytics. (He may, in fact, have a larger value total than that - I'm not really sure.) I'd have to look at the pics again to see what you're talking about in the back. At one point he was using the Russian K40 PIO's, I think, but changed to something else, later.