Day 8 with my repaired LCD-3, and I'm really liking what I'm hearing. I've been a little circumspect in my posting about these LCD-3 due to an abundance of caution -- I gushed all over the LCD-3 the first time around, only to get frustrated after a few weeks and send them in for repairs. Nevertheless, I'm about ready to declare these truly "fixed" and well worth the cost.
Tonight, I've gone back to the recording that was the last straw that made me send my LCD-3 back to Audez'e. It's the Egarr/Academy of Ancient Music version of Brandenburg Concertos on Harmonia Mundi. I know this to be a spectacular version of one of some of my favorite classical passages, and I was incredibly disappointed with how the odd tonality of the "veiled" LCD-3s made the recording unlistenable. It's a completely different experience tonight. I still don't know that the LCD-3 would be my first choice for this recording -- the sparkle of my HE-6 or HD800 might win out -- but they're definitely in the conversation.
On a different note, I've changed out the Siemens CCa in my Liquid Fire for a quad of late 60s Amperex 7308s. The 7308s bring noticeably more treble energy to the table -- as well as a noticeable decrease in bass quantity. For the LCD-3, this is a nice option, but I find it less than ideal for the HE-6 and HD800.