Well, the UERM and LCD-3 have very different presentations. I think the UERM has the widest and most accurate imaging and spatial representation I've heard from a custom (I've owned the JH16 and ES5), and it comes the closest to portraying an out-of-head soundstage that I've heard from an IEM. But it doesn't have the expansive sense of air and ambiance that the LCD-3 has.
The UERM is probably a little better than the LCD-3 at presenting a crystal-clear picture of the music, with a level of crispness and detail that can seem hyper-realistic. On the other hand, the LCD-3 is fairly realistic but tends more towards a euphonic lushness rather than the UERM's razor-sharp focus. And the UERM's bass--while accurate--just doesn't have the weight that I would ideally like. It's not really comparable to the LCD-3's bass, which I think has great resonance but stays controlled. But I've only tried the UERM with a few different sources and amps, and the combo I settled on (the CLAS and Pico Slim) are both ruthlessly neutral/bass light in character.
I'm happy to see you're enjoying your UERM, they are the top of the heap of customs as far as I'm concerned. But I was a little surprised to see that you chose them to be used primarily in a home system. It's hard to find a desktop amp that has the low gain/black background needed for customs, and even though I have one (the V200), the UERMs don't sound quite as natural to me as a good pair of full-size cans. But for evaluating gear, extracting maximum detail from a recording, or listening on the go, the UERMs are ideal for me.