Hi All:
Just got back from 2 1/2 days in the mountains; could've stayed a full week, but wanted to get back to the city to hear my new amp! Sounds perverse,
but I guess the mountains, fishing, s'mores, fresh air, great company, scenery and naked dancing girls will still be there next time. Be that it may, 2 1/2 days more makes the hour count on the tubes about 100. Mikhail says they take about 100-200hrs to fully burn in. They are the rock stock Electro—Harmonix 6SN7's. The amp was left on continously throughout the weekend and hooked up to my Philips 963sa on "Repeat all". The current hookup is the Philips using the analog outs into a pair of HighWire interconnects into the MPX3. On the out-side is a pair of Senn 580's with the Cardas smurf cable.
The sound has definitely changed. The high end has blossomed (mountain talk) so that its not bright but quite extended airy and transparent, but not nearly as much as the MPX3 I heard at the meet. The system that one was connected to was much different. Think the source was a Sony 555 modded by Carlo through Di Marzio IC's; din'no the tube types and into Senn 580's w/ Cardas(mine).
I am hoping, although I'm quite satisfied now—that more air and transparency will develop throughout the next week. One thing that's really obvious now is SIBILANCE GALORE on voices. (Wasn't she famous on the Barbary Coast during the turn of the century?) If she goes away a little or becomes natural (allergic to silicone) with further break-in time, I'll be a happy camper! Otherwise, its system/tube rolling time and would love to have some suggestions from you experts along these lines. Maybe a set of tubes for bright recordings (Cowboy Junkies, Portishead, Bjork, Miles and most Redbook of the 80's) as well as sibilant ones.
Getting a little dingy now, time to stop
Regards,
Bob
BTW:
tom hankins: Is your SDS still awesome and is it doing any of the above as well?
nanahachi: we must get together!