Thanks so much! Here is a link to a youtube version. It doesn't list the format so I can't verify the quality unfortunately
(The beginning of Walk the Plank)
(Especially around the 40 second mark where it gets more complex.)
The only other output source I could try is the headphone out on my Pioneer VSX-29TX receiver. Trying to find the specifications for the output.
So, a terribly unscientific, subjective listening test I did here...
I did initially play the two titles you listed there straight from YouTube, but then quickly decided to see if they were available on Roon/Tidal, and they were, so I listened from there, using stock cable first directly from Yulong D100 DAC's headphone out (high gain, might be 900 mW at 32 Ohm but I'm not 100% sure). Boy, that beginning of Walk the Plank is BUSY.
Since this is not music I'm familiar with, I really needed some kind of reference point (or two), so I happen to have my Heddphone (One) hanging there already, and plugged in balanced to the Monolith Liquid Gold X (from Yulong D100). Eh, yeah, still busy, but a little different but there's just so much going on there I couldn't really pick anything apart, honestly.
With "He's A Pirate", it was less wall-of-sound, even starting around the 40 second mark, but I wasn't hearing what I could characterize as rattling or vibrating, neither from the Heddphone nor from the Monolith AMT -- I did think the Monolith has some kind of wonky thing in the FR that I can't really put my finger on but my brain adjusts to it pretty quickly.
In any case, when I switched to the Cayin IHA-6, I first used the stock cable plugged into single-ended output (which is less powerful on this amp), and didn't really discern much difference particularly in "Walk the Plank" -- so I pulled out the cheap AliExpress balanced cable I have for the Monolith cans (1570C and AMT in my case) wired in their special way, and switched over to the 4-pin XLR output on the IHA-6, but again, was having a little difficulty hearing much differently, except that when swapping between the balanced out of the IHA-6 and the single-ended out of the Yulong D100 (via 4-pin XLR to 6.3mm adapter from my Ether CX), on "He's A Pirate", I did feel like the drum hits had a little more authority on the IHA-6 than the D100 headphone out.
(I did also briefly use the HE-1000 v2 out of the IHA-6 for "Walk the Plank" just to confirm the wall-of-sound assault at the beginning - to be honest, it occurred to me that my weak link here may be the DAC itself.)
So... I thought, uh, maybe if I did a similar comparison of the amps on the Monolith AMT with a song or two I'm more familiar with, so I tested it with Gorillaz' "Dare", and I did finally hear something that was perceptibly different between the power of the IHA-6 on high-current, high-gain, 4-pin XLR versus D100, and it was just a more pronounced version of what I heard on "He's A Pirate", which is that drum hits were more visceral, and that bassy growl of whatever-bass-synth that is in the beginning was meaner on the IHA-6 than the D100, punched more.
Similarly, on "Intoxicated - Radio Edit", by Martin Solveig, Good Times Ahead, the bass synth was rounder and more visceral -- not by an order of magnitude, but noticeable -- on the IHA-6. But I still didn't hear anything I would characterize as rattling or vibration on the AMT -- which makes me worry something is either up with your unit or else maybe the Vali 2 with its tube is behaving a little oddly with the AMT in a way I can't reproduce.