Deiz
100+ Head-Fier
- Joined
- Apr 6, 2007
- Posts
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Quote:
Impedance is only half of it. Sensitivity is very important. At 1 mW, HD600s will output 97 dB, contrast this to a pair of SR80s which will output 98 dB at 1 mW.
So they'll be almost identical out of a headphone jack, right? Wrong. The SR80s have a 32-ohm impedance, and will output roughly 111 dB out of an iPod, which is 30 mW into 32 ohms. Given that to double the output, you must double the wattage, 1 mW is 98 dB, 10 mW is 108 dB, and 30 mW is 30% of the next 10^n, we can add 3 dB, coming to 111 dB.
On the other hand HD600s, with their 300 ohm impedance, present a tougher load, as impedance isn't completely linear they'll get around 5 mW out of that same 32 mW-into-32-ohms headphone jack. Thusly, 97 dB + 40% of doubling = 101 dB, exactly half the output level of the Grados that, ignoring impedance, were only ten percent louder before.
When you increase the impedance, the amplifier needs to be able to swing more voltage. Inversely, low impedance headphones need lots of amperage.
When the headphone amplifier can't supply the voltage or amperage necessary to drive the headphones, you're hearing less than ideal, amp-limited sound.
The thing is, a line level signal is more than enough to blow out headphone drivers. On the other hand, with a line level signal, the most sensitive of speakers will barely make a peep. A power amplifier for speaker therefore amplifies line level to speaker level.
On the other hand, the main purpose of a headphone amplifier is to provide either high amperage or voltage to a difficult-to-drive load, at comparatively tiny output levels, as compared to speakers.
So, in practice a headphone "amplifier" tends to actually be attenuating a line level signal, in the most basic sense - But it does this more elegantly than the other solution: Placing coupling capacitors and passive attenuators on line-level outputs from your source.
Originally Posted by effectic /img/forum/go_quote.gif Hmm explain something to me then. a HD600 sennheiser which is 300ohm obviously requiring an AMP. Why would it require an AMP? And without am AMP what will the result be? Lower volume or lower sound quality? Meaning by a significant margin would the average joe who aint audiophile actually notice it in a blind test? |
Impedance is only half of it. Sensitivity is very important. At 1 mW, HD600s will output 97 dB, contrast this to a pair of SR80s which will output 98 dB at 1 mW.
So they'll be almost identical out of a headphone jack, right? Wrong. The SR80s have a 32-ohm impedance, and will output roughly 111 dB out of an iPod, which is 30 mW into 32 ohms. Given that to double the output, you must double the wattage, 1 mW is 98 dB, 10 mW is 108 dB, and 30 mW is 30% of the next 10^n, we can add 3 dB, coming to 111 dB.
On the other hand HD600s, with their 300 ohm impedance, present a tougher load, as impedance isn't completely linear they'll get around 5 mW out of that same 32 mW-into-32-ohms headphone jack. Thusly, 97 dB + 40% of doubling = 101 dB, exactly half the output level of the Grados that, ignoring impedance, were only ten percent louder before.
When you increase the impedance, the amplifier needs to be able to swing more voltage. Inversely, low impedance headphones need lots of amperage.
When the headphone amplifier can't supply the voltage or amperage necessary to drive the headphones, you're hearing less than ideal, amp-limited sound.
The thing is, a line level signal is more than enough to blow out headphone drivers. On the other hand, with a line level signal, the most sensitive of speakers will barely make a peep. A power amplifier for speaker therefore amplifies line level to speaker level.
On the other hand, the main purpose of a headphone amplifier is to provide either high amperage or voltage to a difficult-to-drive load, at comparatively tiny output levels, as compared to speakers.
So, in practice a headphone "amplifier" tends to actually be attenuating a line level signal, in the most basic sense - But it does this more elegantly than the other solution: Placing coupling capacitors and passive attenuators on line-level outputs from your source.