6SN7 to E80CC and everything in between...
Yesterday, I revealed my tricked-out LD1+ (running a MUSES 02) to several local Head-fiers. And I asked them to help me evaluated four tubes:
1948 Tung-Sol 6SN7GT with black glass and round plates
1960 Heerlen-made E188CC
1951 Western Electric 392A/2C51
1961 Heerlen-made E80CC
Our goal was to determine the tube with the most accurate and correct tonality. We listened through a pair of HD 700 headphones, and for music, we used "Halloween" and "The Stone" from "Before These Crowded Streets" by the Dave Matthews Band. These two tracks seamlessly run together for a run-time of about 12 and 1/2 minutes.
As could easily be predicted, the 6SN7GT was judged to be the most colored, and thus ranked No. 3. The E188CC and the 396A/2C51 tied for No. 2. And the E80CC was judged No. 1, based primarily on it's ability to accurately reproduce treble and upper harmonics.
In my mind, the Heerlen E80CC is a step up from the Heelen E188CC, and those of you who place a premium on linearity and accuracy, may wish to try this tube. However, they can be a bit expensive (but I got mine for only $29.00, likely because it carries the Zaerix label, and not Amperex). Moreover, you will need an external heater PS as this tube draws 600ma at 6.3 volts or 300ma at 12.6 volts.
To my way of thinking, I am very happy to have both the Heerlen E80CC and the Tung-Sol 6SN7. When I wish to listen actively, the Heerlen E80CC is my choice. Its accuracy and clarity is quite amazing. But when I want to chill out, perhaps after a drink or two, the Tung Sol is my choice. The added warmth and coloration, while certainly not accurate, is quite beautiful. And the tube transports me to an enhanced, or should I say "exaggerated", sound stage which feels magical.