TL;DR: Played music through speakers and headphones at the same time; discovered that doing this yields soundstage and details that neither the speakers nor the headphones can produce alone.
Context: Recently, I purchased a pair of ESP/95x's. They sound absolutely amazing on their own--I love the airiness of the highs, the clarity of the upper-mid and the pristine details. However, I was used to the enormous soundstage of the K701's, so sometimes I feel like the instruments are squeezed a bit too tight together on the ESP/95x's. Also, their energizer has only one RCA input, which is problematic for me because I frequently switch between my DAC and my turntable's preamp, so I got a passive switch box and some splitter cables to distribute the signal to both my speaker amp and the energizer.
Life-changing incident: One time, I forgot to turn the amp off before listening on my headphones. I started the music and the soundstage blew me away. I was fascinated by the drastic improvement in soundstage, instrument separation and dynamics. I took my headphones off and realized what had happened. I played around with both knobs (actually three knobs, because the energizer is stupidly designed) and realized an interesting effects:
When I turned the speakers up, it felt as if my headphones were being muted (and vice versa). Fascinating, isn't it? Also, as I turned the speakers up, it felt as if the music was moving out of my head and into the space around me (and vice versa). However, I was losing some details as I turned the speakers up, which is strange because usually, loudness means more details. Additionally, I felt significant improvement in bass compared to using headphones alone. Anyway, I found a perfectcombination of the two (actually three) knobs that would yield soundstage and details that neither the speakers nor the headphones can produce alone. These observations fascinated me and got me thinking about our perception of sound. What are your thoughts?
Context: Recently, I purchased a pair of ESP/95x's. They sound absolutely amazing on their own--I love the airiness of the highs, the clarity of the upper-mid and the pristine details. However, I was used to the enormous soundstage of the K701's, so sometimes I feel like the instruments are squeezed a bit too tight together on the ESP/95x's. Also, their energizer has only one RCA input, which is problematic for me because I frequently switch between my DAC and my turntable's preamp, so I got a passive switch box and some splitter cables to distribute the signal to both my speaker amp and the energizer.
Life-changing incident: One time, I forgot to turn the amp off before listening on my headphones. I started the music and the soundstage blew me away. I was fascinated by the drastic improvement in soundstage, instrument separation and dynamics. I took my headphones off and realized what had happened. I played around with both knobs (actually three knobs, because the energizer is stupidly designed) and realized an interesting effects:
When I turned the speakers up, it felt as if my headphones were being muted (and vice versa). Fascinating, isn't it? Also, as I turned the speakers up, it felt as if the music was moving out of my head and into the space around me (and vice versa). However, I was losing some details as I turned the speakers up, which is strange because usually, loudness means more details. Additionally, I felt significant improvement in bass compared to using headphones alone. Anyway, I found a perfectcombination of the two (actually three) knobs that would yield soundstage and details that neither the speakers nor the headphones can produce alone. These observations fascinated me and got me thinking about our perception of sound. What are your thoughts?