solgoodguy
New Head-Fier
KL-REF: the chameleon that is able to adapt to multiple music genres it is being challenged with
After a long time, I finally decided to give a more detailed impression/review of the various models from Kumitate Lab, which I owned personally, to give the people from head-fi a better understanding of the Kumitate Lab lineups as it is pretty difficult for people outside of Japan (out of Asia exactly) to be able to audition it. I have owned the KL-REF for almost three years and ever since from the day I received it, it had always held a special place in my heart despite hearing multiple flagships iems over the years. So I shall start off this impression with what I love most about KL-REF, the bass.
Bass
The impactful rumble and deep vibration of the dynamic bass has a very special characteristic that makes me feel that it is one of the most unique iem. Ito-san choice of using a dynamic driver is because he felt that dynamic driver has the least distortion in the lower frequencies. And this is indeed evident in KL-REF, as the bass produced by KL-REF has an excellent depth and texture layering, making the presentation of drums to be really impressive and realistic. If you are a fan of rock and heavy pop music, do try the KL-REF at the MAX level, it will definitely be addictive for such genre. Though the bass presence can be pretty overwhelming for some at the MAX level, but rest assure it doesn’t interference with the other frequencies
Mids
The mids have a natural approach, without being too thicked or forward or veiled. I will describe the vocals to sound raw and organic on the KL-REF, giving a clear and emotive presentation (for both male and female vocals, whereas the KL-REF Type-S has an extra added aggressiveness and sweetness to female vocals – more to be discussed in my next review of KL-REF Type-S model). The natural mids result in a great separation, allowing you to clearly tell apart the various instruments playing in the track
High
The high frequencies are pretty much smoothened out, without having excessive dips or peaks above 10kHz, resulting the KL-REF free of any unnecessary sibilance, thus you will not feel any listening fatigue even after long hours of listening. The excellent high frequency extension of the KL-REF makes the overall soundstage and atmosphere very cohesive with the rest of the frequencies.
Overall
KL-REF to my ears is a reference/neutral in-ear monitor, without much coloration in any of the frequency range. Hence KL-REF might sound pretty dull during first few minutes of listening, but as one slowly get use to the sound signature of KL-REF, you will realise the amazing characteristics and performance of KL-REF. Coupled with a tunable bass volume, each individual can adjust the bass accordingly to match his preference and also suit to your mood and the nature of the song. Throw whatever music you have to it, be it male vocals, female vocals, anisong, pop, rock, metal, jazz, KL-REF will show to you that it is indeed a chameleon of strong adaptive characteristics and is able to perform at a high level across all the different music genres.
Also have you done a comparison between the KL-REF and the KL-REF Type S? You mentioned it briefly in your review of the REF and that's about all I could fine on the web regarding the Type S. I am trying to figure out which one is a better upgrade for me from my Sirius. Either the Ref, Ref Type-S or the Lakh. I've become quite smitten about Kumitate and would love to get one of their TOTL CIEMs. I'm just not sure which one. Also I'm trying to decide by the end of the year, since they said that they keep your ear impressions for a year.