But how can there be tuning crimes when the engineers designing the IEM's have the same graphs and even better measuring equipment?
If the graph looks a certain way it would seem that they intended for it to look that way, and for it to sound a certain way.
It just seems strange to me that a bunch of non-professional reviewers look at a graph and point out where the professional engineers screwed up.
Why would they intentionally put out an IEM with a screwed-up graph and sound if they can easily see the graph and hear it for themselves before releasing it?
Just because the sound engineers tuning a set intend for it to sound a specific way doesn't mean that there aren't tuning crimes involved that can, for instance, make everything but a very specific subset of music genres sound like absolute trash. Take, for instance, the Campfire Honeydew. It's an attractive little set with the tuning crime of an
EXTREME bass gain. It sounds good on a handful of music genres, but apparently it garbles male vocals and makes it sound like they've eaten a mini subwoofer. As much as I love a good bassline, this graph frightens me. But
from what gizaudio says, it's a fun set with a thunderous bassline that is nice to have for those times when you want to drown yourself in bass while still having some details hiding out in the treble.
Edit for clarification: If the Campfire Honeydew were cheaper, like in the $65-70 range instead of $250, I would definitely consider purchasing a set just for the novelty factor and because I love their charming little orange shells. But at that price, unless you're flush with cash or got them on an astonishingly good sale, these just aren't viable for the average consumer. They aren't something you just shell out for on a lark. This is especially true for the people in this forum thread where the most expensive IEM from KZ is half the cost of this model. For even more examples, check out the graphs for some of these other sets:
An $800 set this time from Earsonics with a massive bass shelf, but severely carved out lower mids, which makes them appropriate for a limited library of songs.
For an even more egregious set, we look at the RA C-Cu from oBravo. Honestly, if the 6K dip was from a measurement anomaly, I'm pretty sure Crinacle would have adjusted his setup until it hit at 8K like he tries to target. Aside from that, we get a 10dB channel gap at 130Hz, and massively recessed sub-bass. This aligns with
Crinacle's actual review of this nearly $10,000 set. He was not happy about it, given all the hype and goodwill the brand has.