Good evening everyone.
I spent tonight at the serious things with my Kennerton Thekk: what is this headphones worth in addition to listening to the beautiful voice (Belgian) of Angele?
Well, I switched to another slightly different kind of music, with Bizet's "Carmen" French Opera, a masterful (and memorable for the oldest of us) recordings from 1964, made at Salle Wagram in Paris. Paris with the Orchester de l'Opéra de Paris. Georges Prêtre with the baguette.
Who does not know this opera tune?
Well, I was very pleasantly surprised at the rendering of Thekk, on such an old recording: it's really excellent!
Two things surprised me:
- the very pleasant and natural tonal rendering of the Thekk, with a detailed, fast sound, without being analytical or tiring. The sound is very immersive and you feel very comfortable in it.
- the rendering of the soundstage, very natural, not extra large, but very well constructed, very precise, especially with a lot of depth; we really feel like we are at the concert with an excellent separation of the sound shots and sensation of distance depending on the position of the actors and their displacement on the stage, in a realistic way (not deformed) (nb: we visualize very well the moving the actors when they move: for example the troupe of children's choirs moving from right to left in the song of the guard rising and falling.
Other good surprise for me: the very good performance of classical piano (Debussy and Schumann), with a plenitud (fullness) and a natural sound very pleasant; the extra bass is nice to give fullness (of body) to the piano, compared to the Thror, while keeping excellent timbres.
Ditto for the violin and the piano of Stéphane Grappelli & Michel Petrucciani (Flamingo): the rendering is full, warm, precise, not at all aggressive or analytical: here is a violin with a full sound (with body), , tthe opposite of a lean (thin) sound while being well detailed and precise, with a good separation of the instruments and a good depth for the soundstage.