I never really believed in the concept of burn-in for headphones and speakers per se but rather that one simply acclimates to the different sound signature produced by a new pair of headphones or speakers. Well, that was up until now...
I have been completely god-smacked by these new JVC HA-FX750s I bought over a month ago. The detail and timbre has been monstrous (as well as, the bass) and the comfort... oh, the comfort.
Any way, after about forty hours of usage, I was listening one night and sat up shocked by some very noticeable and new details I was hearing in a song that I did not hear (nor have played) since the day I bought them. The only way I can explain it is that the FX750s must have cleared up and/or settled down since I have purchased them?!
I made a few more comparisons and discovered one other song with those very apparent extra details. Even more interesting is that I am listening at a volume lower than when I first purchased the FX750s and even from what I usually listen at with my SE535s!
As much as psychological acclimation (getting used to a certain sound) could still be an explanation for what I am experiencing with my JVC HA-FX750s it seems to me more likely there really has been a physical and audible change???
Now my Shure SE535LTS-Js they never changed in the way that they sound... the sound signature has remained exactly the same since Day One. Could it be that the FX750s are dynamic driven and the Shures are balanced armature driven?
By the way the two songs were Emmylou Harris's Goodbye (from the Wrecking Ball album) and Fritz Reiner's 1954 CSO version of Also sprach Zarathustra, Op. 30: Sunrise.
I have been completely god-smacked by these new JVC HA-FX750s I bought over a month ago. The detail and timbre has been monstrous (as well as, the bass) and the comfort... oh, the comfort.
Any way, after about forty hours of usage, I was listening one night and sat up shocked by some very noticeable and new details I was hearing in a song that I did not hear (nor have played) since the day I bought them. The only way I can explain it is that the FX750s must have cleared up and/or settled down since I have purchased them?!
I made a few more comparisons and discovered one other song with those very apparent extra details. Even more interesting is that I am listening at a volume lower than when I first purchased the FX750s and even from what I usually listen at with my SE535s!
As much as psychological acclimation (getting used to a certain sound) could still be an explanation for what I am experiencing with my JVC HA-FX750s it seems to me more likely there really has been a physical and audible change???
Now my Shure SE535LTS-Js they never changed in the way that they sound... the sound signature has remained exactly the same since Day One. Could it be that the FX750s are dynamic driven and the Shures are balanced armature driven?
By the way the two songs were Emmylou Harris's Goodbye (from the Wrecking Ball album) and Fritz Reiner's 1954 CSO version of Also sprach Zarathustra, Op. 30: Sunrise.