Quote:
Originally Posted by Jam_Master_J
Any word on when the street-style SR-40 replacement will be released?
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That is an AWESOME question lol. Partnered with that is the question of the cable - current grado cables are too heavy/thick/long for portable use - does he plan to get a slimmer more flexible cable for the SR40 that meets his standards? (no trade secrets need be released in answering this)
I know that John loves the bowls. But has he taken a look at the circumaural pad alternatives out there, and would he ever consider them as an option, if not factory stock, then at least an accessory? If that's too much to ask, what does he think about how a circumaural pad affects the "Grado Sound" - likes, dislikes?
Obviously he's going to give big kudos to the RA-1. But what does he think about the other amps out there and the building momentum for headphone-only amps? Is this a trend he's going to jump on, or is he content with his current lineup of RA-1s? (You can ask him about what his fave non-RA-1 amp is, but I doubt he'd answer lol)
Also, the DAC issue. Where does he see the headphone industry moving - towards or away from portable digital line-outs in the future? That could affect the future of portable DACS, DACS incorporated into portable/transportable amps, or even Grado considering a DAC of their own. Hey, if they make a phono stage to address the perfect analog sound, why not something to address the ideal digital signal?
Grado has recently refreshed the SR325/MS-2. Has John put any thought into improving the plastic housings of the rest of the Prestige Series of cans? We'd all love a little more soundstage!
The PS-1. Will John ever release this Professional Series in the States, if not for commercial use, then at least to US Pros? Or is it just a German one-off request? If it was, is there any plans to continue a Professional Series?
What does John think of the recent malady of "Hotmixing" going on in the music industry? Does he have an opinion about the future of music recording/production, if the mainstream continues to horribly compress newer albums to satisfy radioplay while ignoring how it sounds on more revealing cans like the Grado? No one wants to eventually be forced to only listen to "audiophile-quality" reference CDs when they want to put on thier Grados - there is only so much one can listen to New Age Jazz and Classical tunes from Naim!
Obvious question one - Does John visit Head-fi himself? How does he like it?
Obvious question two - Mini-meet at Grado Labs in the future, anyone? I'd love to hear those RS-1 speakers!