Thanks for the detailed reply! And while we're at it, I would also love to know which music you're listening into that lets you judge the DACs this way. Which tracks / albums do you recommend to try and listen for these subtleties?
Right, I keep forgetting I don't have a signature.
I use the HD6XX as my primary headphones (Ether 2 are coming Monday) and I use a 20-band parametric EQ in Roon to give me a nice V-shaped signature (my preferred). Amp is the ZDT Jr. and I'm shooting to upgrade to a Kenzie Encore soon (waiting on a bunch of stuff to sell on Reddit right now to fund it). I listen primarily to metal/hardcore and a lot of NIN.
My reference track is "Somewhat Damaged" by NIN due to a) it being awesome and b) the structure. It starts as a 4-chord progression on a slightly-out-of-tune acoustic guitar and more and more layers come throughout the song. When I first got the RDAC last weekend, I plugged it in to get it warming up and after 24 hour or so, gave it a listen and was so blown away I knew immediately I was never going back to the Gungnir. The sound is much warmer and, I feel, more organic than the Gungnir. There's a weight to drums especially that's missing from the Gungnir. But the biggest thing was how incredibly clear the RDAC was compared to the Gungnir. When things start to get loud in Somewhat Damaged, some of the softer background layers are totally lost and/or turn into a wall of congestion on the Gungnir. With the RDAC, I crap you not: I can pick out any of the layers I know are going on at any given time and hear it while still hearing everything else going on as well. There's a percussive loop of what I'm assuming is a violin bow rubbing on something to give a papery texture. It's soft and just a background noise but still part of the song. Once the main bass synth riff comes in, I can only hear the violin bow layer when the bass synth takes its second-long breaks. On the RDAC, I can hear it the entire time. That's just one example from a 2 hour album chock full of crazy, layered details. It's been such an experience listening through the RDAC and Amethyst.
Listening to Neck Deep's album
Life's Not Out to Get You, there are so many layered and background vocals I've never heard before that are suddenly so present and obvious. Not to mention little guitar riffs going on in the background that are totally lost in the mix on the Gungnir because the main riffs are front and center.
The Amethyst was very similar in all regards to the RDAC with the differences between it and the RDAC being mostly that the the Amethyst has slightly more recessed vocals but has much better bass and treble extension.
I'm not badmouthing Schiit and I hope that's not the impression I'm giving. They make incredible products and I was extremely happy with every single one of them that I've owned over the last few years. I just didn't know things sounded so differently through other DACs and upon hearing the RDAC and Amethyst, I realized that Schiit DACs just do not do well reproducing the music I listen to.
This current chain, RDAC/Amethyst -> ZDT Jr. -> HD6XX is the best music has
ever sounded to me. When I turn the amp up loud, I honestly feel like I'm in the room with the band while they're playing, experiencing the music. On the Schiit stack, I never felt closer than being in the studio, listening to the mixes over monitors, analyzing the music.