KenB
100+ Head-Fier
- Joined
- Mar 30, 2005
- Posts
- 205
- Likes
- 23
Quote:
I completely agree with Guru's statement! Darkness/brightness are "relative" terms, not absolutes. Compared to looking directly at the high noon SUN, a FULL MOON looks dark. A FULL MOON appears bright if you are looking at it in the dead of night. The SA5K's are bright (I prefer 'raised timbre') compared to every other high-end headphone I have owned (e.g. RS-1, CD3K, HD650).
The HD650's are not "veiled" or "dark", in my judgment, compared to what real instruments sound like LIVE. They are more neutral and, most probably, represent the sounds more like the engineer heard then when s/he recorded the session. That is how I perceive them...
I started out, and remain, a huge fan of the Sony CD3K's and still own a set (so it's not SONY bashing on my part). I traded the SA5K's for a set of HD650's and have since become a HUGE fan. The SA5K's were extremely harsh/shrill/thin/narrow for my tastes, but they were very detailed and had good instrument separation. To me, they were designed for studio use, but not music enjoyment. The Grado RS-1's, IMO, are poorly constructed, use cheap materials (esp. pads), and are highly overrated. I recently ordered a set of STAX SR-404/SR-313's (from EIFL) and, naturally, reserve the right to change my prioritization after I listen to them for a reasonable period.
Ken
Originally Posted by gsferrari It is all relative... The HD-650 will measure dark compared to the SA5000 for example... So I wouldn't fret on this...it is a tremendously capable headphone so dont lose hair over making a decision. There are few headphones that are technically superior to it. gs |
I completely agree with Guru's statement! Darkness/brightness are "relative" terms, not absolutes. Compared to looking directly at the high noon SUN, a FULL MOON looks dark. A FULL MOON appears bright if you are looking at it in the dead of night. The SA5K's are bright (I prefer 'raised timbre') compared to every other high-end headphone I have owned (e.g. RS-1, CD3K, HD650).
The HD650's are not "veiled" or "dark", in my judgment, compared to what real instruments sound like LIVE. They are more neutral and, most probably, represent the sounds more like the engineer heard then when s/he recorded the session. That is how I perceive them...
I started out, and remain, a huge fan of the Sony CD3K's and still own a set (so it's not SONY bashing on my part). I traded the SA5K's for a set of HD650's and have since become a HUGE fan. The SA5K's were extremely harsh/shrill/thin/narrow for my tastes, but they were very detailed and had good instrument separation. To me, they were designed for studio use, but not music enjoyment. The Grado RS-1's, IMO, are poorly constructed, use cheap materials (esp. pads), and are highly overrated. I recently ordered a set of STAX SR-404/SR-313's (from EIFL) and, naturally, reserve the right to change my prioritization after I listen to them for a reasonable period.
Ken