ghostroad
New Head-Fier
- Joined
- Aug 28, 2011
- Posts
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I've been searching for a few months for a good IEM and have settled on the ER-4P. In the process, I've tried (in chronological order) the Klipsch Image S4i, Monster Turbine, Thinksound TS02, Hifiman RE0, Hifiman RE-262, Monster Turbine Pro Copper, Etymotic HF3 and the Westone 4. My source is an unamped iPhone 4.
Of these, the only real contenders were the RE0, the HF3 and the W4. I had the hardest time parting with the RE0. It is truly phenomenal at its price. But in the end its cold, almost synth-like rendition of distorted electric guitars left me looking for something with a more engaging midrange, but otherwise similar sound signature. The HF3 almost accomplishes this, but its treble is somewhat dialed down compared to the RE0 and ER-4P and its midrange is too warm. I've read posts on these forums describing the HF3 as being virtually indistinguishable from an ER-4P out of unamped sources, but my experience was quite the contrary. I can hear a pretty substantial difference between the two, even out of my iPhone 4. The ER-4P sounds more transparent and detailed, with crisper treble. I don't think that the HF3 renders delicate cymbal and hi-hat hits very well, while the ER-4P is peerless in this department.
I'm a big believer in "brain burn-in" and I think it actually makes more of a difference to my listening experience than any physical burn-in. While the ER-4P initially sounded a little thin and lacking in bass presence, my brain slowly adjusted to its signature and I started hearing it as rather full-bodied. It's the kind of headphone that does bass very competently across a lot of genres of music, and can really surprise you by doing it breathtakingly in certain songs.
I tried the Westone 4 because it has a reputation for being balanced and detailed while having a fuller sound than the ER-4 series, and I can confirm that it does. However, I definitely prefer the upper mids and treble of the ER-4P. The W4 sounds dark to my ears (even with the tips that made it sound the brightest), and I don't think any amount of brain burn-in will help me get over that. Whatever the W4's strengths may be over the ER-4P, I simply don't see them with the sort of music I'm listening to (a lot of jazz, punk and old rock).
Anyway, I'm not that experienced with regard to audio equipment, but I am seriously impressed with these headphones, the basic design of which, I believe, has remained virtually unchanged for almost 20 years.
Of these, the only real contenders were the RE0, the HF3 and the W4. I had the hardest time parting with the RE0. It is truly phenomenal at its price. But in the end its cold, almost synth-like rendition of distorted electric guitars left me looking for something with a more engaging midrange, but otherwise similar sound signature. The HF3 almost accomplishes this, but its treble is somewhat dialed down compared to the RE0 and ER-4P and its midrange is too warm. I've read posts on these forums describing the HF3 as being virtually indistinguishable from an ER-4P out of unamped sources, but my experience was quite the contrary. I can hear a pretty substantial difference between the two, even out of my iPhone 4. The ER-4P sounds more transparent and detailed, with crisper treble. I don't think that the HF3 renders delicate cymbal and hi-hat hits very well, while the ER-4P is peerless in this department.
I'm a big believer in "brain burn-in" and I think it actually makes more of a difference to my listening experience than any physical burn-in. While the ER-4P initially sounded a little thin and lacking in bass presence, my brain slowly adjusted to its signature and I started hearing it as rather full-bodied. It's the kind of headphone that does bass very competently across a lot of genres of music, and can really surprise you by doing it breathtakingly in certain songs.
I tried the Westone 4 because it has a reputation for being balanced and detailed while having a fuller sound than the ER-4 series, and I can confirm that it does. However, I definitely prefer the upper mids and treble of the ER-4P. The W4 sounds dark to my ears (even with the tips that made it sound the brightest), and I don't think any amount of brain burn-in will help me get over that. Whatever the W4's strengths may be over the ER-4P, I simply don't see them with the sort of music I'm listening to (a lot of jazz, punk and old rock).
Anyway, I'm not that experienced with regard to audio equipment, but I am seriously impressed with these headphones, the basic design of which, I believe, has remained virtually unchanged for almost 20 years.