The AK sp1kM came today and did an initial comparisons with the dx312. At the moment i like the dx312 more. The AK has very elevated highs a lot of details. The dx312 has same amount of details but it's less aggressive. Stage width is very very similar but the main difference is in stage depth which is way deeper on the dx312. The sounds play from a nice distance where on the AK they are almost on my forehead. Separation and instrument placement is on the same level on my iems. More impressions to come.
The stages width is very impressive on all AK devices and especially the flagship SP2K. Even the depth is impressive. I always give credits to AK for that department alone. However, by thinning out the timbres, with faster transient responds, and cut away sub bass extensions and textures. That is not an authentic soundstage in my own opinions. Coming from someone who modify and play around with many stuff, I would call AK stuff to be “artificial” because they applied those little “cheating” in order to gain those impressive staging.
Don’t believe me ? Pay attentions at music liquidity, the connections, the flow, the transients, and especially the timbres.
It is not natural at all!!
But, we all have our preferences, like coffee. Not all of us can drink dark and bland coffee without sugar or sweetener, and neither of us are not real coffee lovers, because we all want 1-2 cups a day!!!
Needless to mention that both Ibasso and AK are aiming for similar signatures,
very neutral
The only player/DAP that I have seen/heard, to have offered the best of everything for a portable player, the transients (fast but not artificial), the textures (vivid and sharp but yet smooth and liquid), the fidelity (vivid and decisive ), the tonal body density (thick enough to still render the instruments house resonances accurately), the sub bass (plenty when called upon, but yet so clean and defined), the mid (fluidly and filled with emotions, yet so fine and detailed while being musical, an almost perfect balanced), the trebles (so sharp, defined, extending to infinity, excellent resonances and sparkling, yet no hint of sibilants)…. Lo and Be Hold , the DX300Max Titanium. I have not heard anything better than this little monster for any Portable devices. Yes, it doesn’t have everything, for example, the soundstage is still behind the M30 and DMP Z1, but the balances, details, finesses, extensions, textures, it could have outperform them at places with the right circumstances and things considering.
Now, this is the reason why I went so far ahead and built an expensive end game desktop amplifier for this little champion of mine, the 3MTi!!! Simply put, the only way to get better for my full-size HD800s is a powerful and correct topologies of amplifications SET-DHT amplifier….and before I realized it, my 3MTi has attracted me back into desktop game again…..
the exception this time around is that I have no regret . Coincidentally, I can also confirm that DX312 and LO also have a very respectable performances , once more