I’ve always maintained that an M Scaler does not shows it’s true ‘metal’ in simple A-B comparisons.
You have to live with it. You need to STOP listening to the equipment, and just immerse yourself in the music. LISTEN to the music. And just immerse yourself in it.
The TT2 is just ‘crude’ and uncouth without the HMS. Once you use HMS, there’s no going back. But it takes some time to appreciate its nuances.
I agree with your final sentence except where you say that it takes time to appreciate.
To me the Mscaler improvement was and still is particularly on the rare occasions whenever my Mscaler decides to start up in bypass mode, instantly obvious with well recorded acoustic music.
And if you add either Stream or Storm BNC cables to the equation, I just can´t understand how one could not hear the benefit of an Mscaler with all three Chord dacs that work with the Mscaler in a transparent system.
IMO Qutest with an Mscaler is more realistic than both H2, Qutest,TT2 and even Dave on their own.
I think it boils down to the need to listen to acoustic music to really appreciate the improvement it makes.
All instruments I can think of simply sound more real and less digital to me with the Mscaler over Qutest on its own. To me its not really about more detail as such,but how instruments sound.
I can hear its benefits even with old analogue recordings from the late 50s tranferred to cd. And well recorded modern cds can sometimes sound as hi res, all else being equal.
But having said this,I have to admit again that, AC/DC sounded like crap both with and without mscaler to me.
Regarding John´s Mscaler dilemma, did he not just recently say he had had a pianist friend over, a friend who could easily spot the Mscaler blindfolded in his system?
And via both his speakers?
Provided nothing is seriously wrong with his ML speakers I doubt I would hear much of a difference between my own Sequel II and his SL model except perhaps at the crossover point,which if I remember correctly, sits a bit higher 300HZ? on his speakers than on mine, where the one and only crossover point is around 250 HZ.
Not an ideal crossover point for baryton and bass voice and sometimes cello basses,but still VERY transparent from there and ALL the way up as far as I can hear.
I checked both "in and out", at 14khz a few weeks ago via headphones and Hugo I, via the YT test "How old are your ears". on my iMac.
The highest tone I could reliably hear was 14khz.
Cheers CC