I saw your smiley face so this post isn’t directed at you.
It’s always been baffling to me that someone would spend lots of money on a DAC and then very intentionally not want to get the best out of it. I really do think there are those who would use a printer cable if it was what Rob suggested.
The only thing that seemed to explain this was that sound quality wasn’t such a person’s highest priority. Instead maybe it was the feeling they got from owning a product designed by one of the most brilliant minds in the industry. Might there be some prestige or status they derive from their Chord product that is more important to them than getting the best sound from it?
What evidence might there be that could bolster my theory? Well if status and prestige were the foremost aim of an individual, certainly they would want that status and prestige preserved. No way would they be the ones to go against Rob’s advice and actually try to see what improvements come from a better music server. “What Rob says” has to be the standard else maybe the house of cards comes tumbling down - as if finding a chink in his armor might tarnish the status and prestige derived from his products. I’d imagine they’d also not take too kindly to anyone preaching a different gospel. Well-intentioned advice from a person who has greatly enhanced their own listening enjoyment by doing what Rob says you need not (or should not) do wouldn’t be welcomed - and might actually be scorned.
I’m not saying that this might be going on here. I just think that it’s important to recognize that we each have different reasons for why we love our Chord products. We should respect those differences and maybe quit trying to change each other’s minds. Those who refuse to hear what a better music sever might bring to a TT2 or DAVE have their reasons and there’s likely nothing you can do to change their mind. Likewise those who have elected to let their ears decide for them aren’t going to have their minds changed either.
Personally speaking, I’ve been tickled pink that my HMS/TT2 combo sounds sooooo much better today than when they first landed here. As a funny aside, a friend had brought his Super3 over a while back. When we connected it to my TT2 my immediate reaction was “Are you kidding me? I can really have sound quality like this in my own home for that small of an investment!!” I honestly couldn’t believe that a product I actually owned could produce the tone and timbre I was hearing - and all that was needed to bring it out was this $500 power supply. This finding only enhanced my respect for Rob’s genius. The HMS and TT2 are far, far better than their excellent reviews say that they are. I still can’t believe that I actually own products that can produce such gorgeous tone and bring music to life the way these products can. Rob, thank you so very much.
k123...Your 'down to Earth' words (along with @ray-dude 's exhaustive findings at : https://www.head-fi.org/showcase/audiowise-opto•dx-optical-isolation-bridge-for-dual-spdif.23757/have encouraged me to echo the fact that the TT2/HMS combo can surely deliver a performance well beyond stock, given upgrades to the rest of the entire system...including some 'not recommended' by Chord/RW!
My AirlinkTransformers ASF 3000 Balanced Mains w/Advanced Filter System power supply; Neotech UP-OCC teflon coated solid silver wire based cables throughout and Naim UnitiCore server/media player were already helping my combo sound tremendous, especially when I reworked my unorthodox BNC coax cables (using cannibalised cat 8/7 Ethernet and replacing original twisted wires with said Neotech wires) so as to dual them. But then I dared to try 2x 120VA LPSs powering TT2 and HMS...and sorry Chord, but they did indeed bring further improvements across the board...and these are by no means artefacts/misleading impressions/simple personal preference due to RF issues, either from the LPSs or my unconventional 'coax' cables. On the contrary, I now have the quietest, totally noise-free background ever, and no RF related diminishing (or restriction!) of final sound...even with no ferrites on my cables lol! (And to avoid any possible 'confusion' from other quarters, years of analysing in great depth the subtle - and not so subtle! - differences between many different tubes in my previous amps have (hopefully) educated my ears and critical assessment to a reasonable degree lol
Anyway, not content to rest here, I decided to upgrade the supplied power and DC out cords of the LPSs. First, my similary unconventional approach for the DC cables, as with the 'coax' cables, further enhanced previous gains. Then, a friend of a fellow enthusiast equally hungry for any possible improvements suggested using silver wire also for the mains cables, so I duly complied (for the LPSs)...once again using said Neotech UP-OCC wire (as opposed to 'ordinary' pure silver) and dualed.
Well, after the obligatory length of time needed for proper/accurate evaluation, I have to admit to my initial doubts on this last particular one being totally shattered...I never knew my Empyreans - as well as the TT2/HMS combo, were capable of such enriched timbre, in both instruments and (especially) male and female voices; deep, but masterly controlled bass; exquisite treble; effortless dynamics handling etc. etc. Plus, I can turn up the volume for even more detail extraction (already superb) and impact, without any harshess or fatiguing. And the level of transparency is now much greater than ever before.
And so in conclusion therefore, I must repeat your own assertion that the TT2/HMS combo has potential way beyond stock and/or what most folks realise...including 'serious' enthusiasts/professional reviewers. But then, this is just my personal experience/opinion...everyone will have their very own of course...
ps. Photos of cables in question :

One of my dualed BNC cables


LPSs' DC out and (dualed) mains power cables
Edit...ps. Sorry for any offence to you knowledgeable guys, but by 'dual' cabling I mean separate cables either for signal and return, or pos and neg for power...
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