I generally won't buy a format (or a work, in a format) unless that format grants me fair-use rights as an end user.
if its not technically rippable, I won't buy. I suggest you do the same.
more people voting with their feet, the better the industry hears how we dislike this (and won't support it with our purchases).
otoh, I wonder if many people could tell the diff of an analog capture via a decent a/d (0404 comes to mind) vs the original. I would bet that an analog capture at even 44.1/16 would be mostly indistinguishable (if not entirely) if the capture is done well enough.
repeated generational loss would be noticeable (the old 'tape trees' on cassettes, for example). but with a single generation a/d of a very good sounding source - nah, I bet no one would reliably be able to a/b the diff and nail which was which.
so, in the end, you can grab your content and have good quality, as well. just a slow 1:1 process at the worst case and an extra a/d step (ok, and extra d/a step that was before that.)
it might take 3, 4 or even 10 copies of going thru the 'analog hole' before you get serious degradation (using modern a/d and dac parts, of course).