It’s so nice to be back home and far from the madding crowd, listening to music on the living room Swans and typing on a keyboard that works. Ahhhhhhhhh.......
As jpelg said, I think the show was pretty weak for headphones. But there were a few places to get some good sound on cans.
The first thing you have to do is get great sound to reproduce; I always head directly to the Chesky booth for a chat with Sal.
If I had had to pick one label to take to a desert island with me it would be Blue Note. If I got two I’d take Chesky next. Technically the best in my opinion and the music is great!
Here’s a guy that’s been dishing out great headphone sound for longer than me. Todd Garfinkle is the head between the ears of MA Recordings. He has demoed his exquisitely recorded and very exotic music on Stax headphones for way longer than I’ve been around.
Music in hand it’s off to find some headphones. You didn’t have to go far, right inside the door you’d find Shure.
The only problem was that they all had their IEMs in and couldn't understand a thing you said.
Actually they were getting PUMMELED. I’m gonna ask for one of the boxes of ear tips they were using for the tour.
I’ve always found the E5 had too much bass; the E3 didn’t have the highs; and the E2 was good for a portable radio, maybe. But the E4 is a sound piece of gear. They look damn good, too.
I had a good listen on the Micro Stack and they sounded quite coherent, very nicely punchy with no skreaching, and reasonably liquid mid-range; quite an accomplishment for this type of can. I did detect that they were rolled of at the very highs, but I’m getting old and it could be my ears---the measurements should show something like that pretty well. However, I had a very satisfying listen, and have no hesitation saying that these are a solid value at their price point and should be especially good for rockers, maybe not as with chamber music. I was satisfied.
That is, until I saw Mike Santucci at the end of the booth. He checked out the micro stack with his IEMs while he did my ear impressions. A little sign language later and we had struck a deal: A new HeadRoom Micro Stack for some ProPhonics and ER9 attenuators. We both shook hands smiling.
Most of the headphones stuff at the show was in the record label booths doing duty as music sampling machines. It is a great way to have your stuff shown. HeadRoom was conspicuously absent on the floor this year---except, of course, for yours truly. I have an inside line there, and I know it’s because want to show the old stuff this close to launch day. That, or they knew the fat guy could cover the floor.
Lehman, OTOH, was everywhere. In the Music Direct booth…
… the Sennheiser booth (with a Max)….
… and a couple of other places I think, too.
The elusive disc was showing off a lot of headphone stuff: K1000s, the AKG Hero 999 wireless, and an Aural Audition headphone amp.
Music Direct was also demoing music on some Musical Fidelity hardware. Notice the 650s, they were everywhere, too.
This is Rory Rall with Benchmark showing off the DAC 1.
And here he is checking out the Micro Stack.
Telarc had a big CD carousel with a Grace.
I must have been buried in a cave or something but I didn’t realize Naim had a label. The have some headphone amps, too.
That takes care of downstairs, so I headed up to Sennheiser. In addition to the 650s shown above with the amps, they were also displaying their wireless cans.
Some of their new mid-price stuff mixed in with a little older product.
And the cheap stuff. But wait! Notice the closer of the two. These are the HD201 and the best $25 sealed headphone I’ve ever heard. These are the ones to buy as cheap gifts for friends.
That’s it for the headphones. The only thing worth bothering with after putting this post together for the last 3 hours, on and off, is the Burwen Bobcat demo that Marc Levinson did. It was de-lovely!
The little gizmo is a USB DSP DAC in a box that does some magic to the signal to make it sound good. I don’t fall for this stuff when it’s baloney, but I heard a lot of folks talking about this thing and I spent quite a while in the hall with the guys that did the DSP and this thing is the real deal. They didn’t tell me what’s going on other than to say it’s a brew of fairly straightforward audio processes. But, Marc believed in the brew and did a great demo. I think half the joy of it was music played at a nice level. But the other half was some pretty pleasing sound from 128kbs MP3 files. Yes, you heard right, and it sounded damn good. It was pretty low key music, nothing really too taxing (like cymbals that really show up the swishyness of low bit rate mp3s), but it was damn good to these ears. The box and software will sell for around $1500.
Night Folks.