Articnoise
Headphoneus Supremus
In my experience cables made of copper, silver or hybrids that use both - can all sound really good but all can also sound quite bad. My understanding is that the type of metal used for the wires is only one of many design aspects that can make a cable sound good/bad/different.
Other things that is of great importance is the quality (e.g. purity) of the copper/silver wires, the number of wire strains, the thickness of the cable, the insulation material used, the number of insulation layers in the cable, type of twisting design, the quality of the connectors, the soldering, the craftsmanship and probably many other things. All of them is of equal importance as the type of metal used for the wires IMO.
Maybe most important is the matching of gear. I can’t stress the importance of understand that we are changing components within a system (e.g. a chain), enough. By matching a system we chose gear that sounds good together, the problem is that if we change one component in an already well-balanced system we can loss the good balance. Not to complicate things, but it may not be the very component we changed that changes the sound per se, because the origin of the harsh sound for example can very well be upstream in some of our digital gear or coming from the mains power that was masked by the old component, previously.
I really like my HE1000se and think that it sound very good. I won’t deny that with its high resolution, super transparency and open and reviling character it fits best in a well-balanced audio system that have the same qualities, so not in a bright, harsh or overly analytical sounding system.
Other things that is of great importance is the quality (e.g. purity) of the copper/silver wires, the number of wire strains, the thickness of the cable, the insulation material used, the number of insulation layers in the cable, type of twisting design, the quality of the connectors, the soldering, the craftsmanship and probably many other things. All of them is of equal importance as the type of metal used for the wires IMO.
Maybe most important is the matching of gear. I can’t stress the importance of understand that we are changing components within a system (e.g. a chain), enough. By matching a system we chose gear that sounds good together, the problem is that if we change one component in an already well-balanced system we can loss the good balance. Not to complicate things, but it may not be the very component we changed that changes the sound per se, because the origin of the harsh sound for example can very well be upstream in some of our digital gear or coming from the mains power that was masked by the old component, previously.
I really like my HE1000se and think that it sound very good. I won’t deny that with its high resolution, super transparency and open and reviling character it fits best in a well-balanced audio system that have the same qualities, so not in a bright, harsh or overly analytical sounding system.