Nicolas Yance
100+ Head-Fier
I almost never listen to my V2s with my Sony TA ZH1ES because i feel that lacks a bit of current to make them slam like my Pro ican and WA5 does.
Was only saying it could be spell a specific issue with equipment. Also never had an issue with the equipment I used. I use the TT2/MScaler combo the most.I almost never listen to my V2s with my Sony TA ZH1ES because i feel that lacks a bit of current to make them slam like my Pro ican and WA5 does.
I currently have a HifiMan HE1000SE being driven by an iFi iCan Pro, which is in turn being driven by a Topping DX3 Pro.
I have also tried the iFi Pro iDSD on home trial as a DAC but I couldn't hear sufficient improvement in sound quality that justified the £2250 price jump. Same for the Susvara. Got it on home trial but did not think it justified the £2100 difference. (That's a LCD X and Focal Clear!)
The DX3 Pro is £150, but it sounds amazing.
The iCan, at £1799, is an absolutely fantastic amp. I love it.
It has a motorised volume control, so when you press the volume up or down on the (very tiny and light) remote, the volume dial actually physically moves remotely. It's really cool to use!
The bass boost is much better than any digital EQ I've tried. And I've tried a lot of them.
The HE1000SE, priced at £2999, sounds absolutely sublime and has everything I could possibly want my music to sound like. Some reviewers complained about an upper treble blast but they just haven't listened to it for long enough. After a while, once I got used to the sound, I realised that all that extra treble space was allowing for cymbals to be reproduced in a very accurate way. As a drummer, I think the way the HE1000SE reproduces drums is extremely accurate and very enjoyable to listen to.
I have had this setup for about 6 months.
Previous to that I ran (still run!) a HifiMan Sundara (2020 Revision), driven by the same Topping DX3 Pro. First into an iFi Zen Can and then into the iCan Pro. They sound great through either amp, but the big brother iCan Pro really powers them to their fullest expression.
Now to the main event.
It doesn't matter what song I listen to through the HE1000SE (and iCan Pro and DX3 Pro), I just can't imagine how I could be listening to to it better.
This to say that I realised a few months ago that I have achieved my personal endgame. I simply cannot imagine how the music could be reproduced to me in a better way.
This is not an invitation for someone to suggest some different gear that could be better.
I'm not resistant to the possibility that there's a setup out there that could sound better to me. In fact, that's almost a certainty.
It's to say that at the moment I simply can't imagine it.
And if I can't imagine it, then I feel I have achieved my personal endgame.
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For now.
Obviously.
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One more thing - always ask for (at least) 10% off whenever buying expensive gear. You will always get it.
Out of curiosity, how did your previous pair die? I have about a year left of warranty, so would be nice to either preserve it for many years, or somehow get a warranty replacement before it ends. Obviously the latter would be ideal!Just got my warranty replacement HE-1000SE in the mail from Hifiman, and it‘s like starting over again after two-and-a-half years with the old pair. The leather earpads are fully fluffed out, the leather headband isn’t worn, the size adjustment slider is rigid and easily locks in place, and there’s no play in the headphone cable connections. Feels good! Can’t wait to break this new pair in. I am going to baby the hell out of them.
The sound for the left channel on my HE-1000SE started to cut out intermittently about six months ago (regardless of which headphone cable I used) and I kept telling myself it wasn’t a big deal, but it got worse over time. I had to sit very still with the headphones in a certain position or else I’d lose the sound. It was very frustrating. An unfortunate accident finally caused the left channel to fail. At that point, I had no choice other then to send them back. I guess the lesson here is to send them back as soon as there’s a problem.Out of curiosity, how did your previous pair die? I have about a year left of warranty, so would be nice to either preserve it for many years, or somehow get a warranty replacement before it ends. Obviously the latter would be ideal!
I can bet it should pair well with Oblivion, but super amazing with Odyssey?Amazing picture. That's one of 2 headphones I use now.
Yeah same for me. While it's technically really good i didnt like the timbre and tonality. In the end i think i prefer Ananda over Empyrean and HE1000SE. Not because it's better just personal taste. But it's quite hard to accept that because you think you have to like the more expensive models better.I have recently bought a pair of of HE1000SE with the intention of trying them at home in my setup. I’ve been using some Ananda and HEDD for the last year or so, and I’ve been quite happy with both. In all honesty I find the Ananda a bit boring, but they’re OK when I just want to chill-out. I really love the HEDD on the other hand for critical, active listening.
I also have a pair of Meze Empyrea coming tomorrow, and the idea is to choose one of the two and sell the Ananda.
I’m using a Burson Conductor 3xp as dac/amp.
After a couple of days I have some mixed feelings about the HE1000SE: they clearly share the same DNA with the Ananda, improving on all the parameters, but I’m not convinced I love them.
They are technically exceptional, refined and elegant, very hi-fi, with the best soundstage/imaging I’ve ever heard from an headphone (and I used to own the Stax 009 with a custom tube amplifier). The instruments are solid and the music reproduction is completely transparent. In comparison the HEDD sound a bit veiled and congested, the stage seems restricted to be around the head rather than in front. For example, listening to a string quartet on a standard positioning (from left to right , 1st violin, 2nd violin, viola and cello) the cello seems to be placed behind the right ear and the first violin behind the left one. On the HEKSE the stage is much more natural, like being seated on an Auditorium, rather than being on stage.
But on the other hand I feel the Hifiman are timbrically a bit off: in a few recordings I noticed the right hand on the piano to sound too shiny, dry, with too much focus on the percussive aspect of the instrument…pretty hard to explain unfortunately. Visually, imagine some sun light shining from a window over the right hand side of the piano.
And I noticed the same (but not as dramatic) with woodwinds instruments: flute and clarinet almost seem to be made out of brass, they have a rather annoying timbre.
All in all these are probably minor flaws, but I don’t notice them at all on the HEDD.
I‘ll keep listening to them in the next week and report back if something changes.