I found two deals on LCD-3 placing it at basically the same price as the HEXv2 so I went to the audio store to compare the two directly. Spent an hour and a half switching between the two. For most of that time I couldn't tell much of a difference, sounded like I'd be hard-pressed to tell them apart. In the last half an hour I thought the HEXv2's female vocals may have been off, a little insubstantial sounding, kind of thin and a little raspy perhaps. Once I identified this I quickly switched to the LCD-3 and the whole headphone sounded meh. I zeroed in on this for the past half an hour and had a difficult time determining whether the LCD-3 has a significant edge in female vocals (perhaps they are smoother, a little hard to say fuller but maybe filled in, ultimately I couldn't say definitively). The HEXv2 probably has a larger soundstage and more separation but I don't think it's that big of a difference, although it might be appreciable and ultimately significant. Most surprisingly with what I was listening through the bass of the HEXv2 sounded fine and conversely the bass of the LCD-3 didn't sound special at all. The chain was a tablet used wirelessly with Tidal, some device with a $500 price tag and with < > play and pause buttons so go figure that out (maybe it was used as a DAC or is it solely some wireless receiver?), and the Questyle CMA600i that was possibly only used as an amp, I've no idea. The Audio buddies seem to trash Questyle, but I don't know.
So a few conclusions. I've been reading a little about the LCD-3 and it's also described as a more relaxed headphone (with questionable treble), so perhaps these two headphones sounding similar shouldn't be surprising. The Focal Clear was more different in that its sound was sharper, but it sort of seemed thinner as well, and I think I might prefer the LCD-3 to it. I'm also starting to suspect that the HEXv2 to some extent sounds congested or lacks clarity despite whatever separation and soundstage it has. I'm starting to believe all of these headphones are really overpriced, which is something Tyll Hertsens might've been trying to convey in a few of his farewell words. The value of this type of headphones is not worth its price, but I'm unlikely to pull out at this point. Frankly, it's arguably ridiculous. What I've been hearing is quite far from divine, very refined, or euphoric, which is a damn shame at these dumbass prices, to put it bluntly. Consider that the headphones require other things that are similarly expensive too. Lastly, I won't be replacing the HEXv2 with a $1250 pair of used LCD-3 or a $1300 pair of new B stock LCD-3. The headphones are too similar and an argument can even be made that the HEXv2 could edge out the LCD-3. I'd accept an edge either way, but making the switch isn't worth the hassle for me. $1900-$2000 for the LCD-3 is kind of a travesty though and not something I'd consider. On Monday I'll be able to test LCD-X, which apparently followed the LCD-3 and although priced a few hundred dollars under it I've been reading positive things about it, including favorable comparisons to the LCD-3. Apparently vocals are supposed to be more forward and clear on it, the treble should be better, and the bass should be punchier although in less quantity or so it goes. It's claimed to be a more energetic headphone, so I'm open to the possibility that it would make sense to replace the HEXv2.
Got the Schiit Loki. It's a funny little device. Some of these people made it sound like a stroke of genius. Let me start with a possible defect I really don't have the patience for. When I use its equalization the sound is shifted to the left. Even vocals. What in the actual ****? It shouldn't be any of the brand new Schiit Pyst wires (by the way, at some point they can get bent with these names) as when I flip the disable eq switch at the front the sound readjusts more centrally. The wires are of course still in play. I also flipped the headphones so that the imbalance would be on my right ear and there it was. I'm literally shaking my head. The knobs go from 12 to 5:30. At 5:30 on the first knob (20hz) the bass is far boomier than it is punchier, reminiscent of the crap bass boost of other devices. So there goes any remarkable quality out the door. That said I don't think it's completely useless or a joke. I ended up turning all 4 knobs first to like 2 o'clock and then to 3, which results in the sound getting a boost. This could be quite significant if I can disentangle it from just turning the volume up (in part it definitely resembles turning the volume up as from within and without the headphones sound significantly louder at the flip of the eq switch without touching volume). I also found it strange, from a more understanding perspective, that turning the 8khz knob actually affects vocals as well, which are down at like 400-1200hz? I have to send it back so that this left imbalance can be examined. It's either a defect or these people are clowns in my opinion. The imbalance is pretty serious too. I'm now listening with the headphones flipped. I thought it could be a matter of soundstage, but vocals are very much affected too and this effect is not present when the device is more or less bypassed. Actually, I think I found the offending knob! "Midrange adjustment (2khz)"... it's everything though. if I turn it left everything shifts to the right big time, and if I turn it right everything goes left. This has to be a defect, right? Ridiculous. Yea, when I flip the switch with the other 3 knobs at 3 o'clock and the third knob at the neutral 12 the sound doesn't actually shift laterally. They better cover all the associated shipment costs for this.
So a few conclusions. I've been reading a little about the LCD-3 and it's also described as a more relaxed headphone (with questionable treble), so perhaps these two headphones sounding similar shouldn't be surprising. The Focal Clear was more different in that its sound was sharper, but it sort of seemed thinner as well, and I think I might prefer the LCD-3 to it. I'm also starting to suspect that the HEXv2 to some extent sounds congested or lacks clarity despite whatever separation and soundstage it has. I'm starting to believe all of these headphones are really overpriced, which is something Tyll Hertsens might've been trying to convey in a few of his farewell words. The value of this type of headphones is not worth its price, but I'm unlikely to pull out at this point. Frankly, it's arguably ridiculous. What I've been hearing is quite far from divine, very refined, or euphoric, which is a damn shame at these dumbass prices, to put it bluntly. Consider that the headphones require other things that are similarly expensive too. Lastly, I won't be replacing the HEXv2 with a $1250 pair of used LCD-3 or a $1300 pair of new B stock LCD-3. The headphones are too similar and an argument can even be made that the HEXv2 could edge out the LCD-3. I'd accept an edge either way, but making the switch isn't worth the hassle for me. $1900-$2000 for the LCD-3 is kind of a travesty though and not something I'd consider. On Monday I'll be able to test LCD-X, which apparently followed the LCD-3 and although priced a few hundred dollars under it I've been reading positive things about it, including favorable comparisons to the LCD-3. Apparently vocals are supposed to be more forward and clear on it, the treble should be better, and the bass should be punchier although in less quantity or so it goes. It's claimed to be a more energetic headphone, so I'm open to the possibility that it would make sense to replace the HEXv2.
Got the Schiit Loki. It's a funny little device. Some of these people made it sound like a stroke of genius. Let me start with a possible defect I really don't have the patience for. When I use its equalization the sound is shifted to the left. Even vocals. What in the actual ****? It shouldn't be any of the brand new Schiit Pyst wires (by the way, at some point they can get bent with these names) as when I flip the disable eq switch at the front the sound readjusts more centrally. The wires are of course still in play. I also flipped the headphones so that the imbalance would be on my right ear and there it was. I'm literally shaking my head. The knobs go from 12 to 5:30. At 5:30 on the first knob (20hz) the bass is far boomier than it is punchier, reminiscent of the crap bass boost of other devices. So there goes any remarkable quality out the door. That said I don't think it's completely useless or a joke. I ended up turning all 4 knobs first to like 2 o'clock and then to 3, which results in the sound getting a boost. This could be quite significant if I can disentangle it from just turning the volume up (in part it definitely resembles turning the volume up as from within and without the headphones sound significantly louder at the flip of the eq switch without touching volume). I also found it strange, from a more understanding perspective, that turning the 8khz knob actually affects vocals as well, which are down at like 400-1200hz? I have to send it back so that this left imbalance can be examined. It's either a defect or these people are clowns in my opinion. The imbalance is pretty serious too. I'm now listening with the headphones flipped. I thought it could be a matter of soundstage, but vocals are very much affected too and this effect is not present when the device is more or less bypassed. Actually, I think I found the offending knob! "Midrange adjustment (2khz)"... it's everything though. if I turn it left everything shifts to the right big time, and if I turn it right everything goes left. This has to be a defect, right? Ridiculous. Yea, when I flip the switch with the other 3 knobs at 3 o'clock and the third knob at the neutral 12 the sound doesn't actually shift laterally. They better cover all the associated shipment costs for this.